Lenses and gear from Nikon, Canon, Olympus, Minolta, Sony, Panasonic, and Pentax
Vintage Lenses and Beyond

YOU SAVE SO MUCH MONEY BUYING USED!!! It is possible to get absolutely obscene price to performance value on used gear. Image quality for photography maxed out around 2012 and video quality in 2018. Any camera made after those dates only has marginal improvements.

If you’re looking for your first dedicated camera, it rarely makes sense to buy new. Spening thousands of dollars on new gear doesn’t mean you’ll actually like using it. My two recommendations for camera shopping are:

  • Don’t discount the importance of size and weight. Smaller and lighter is better.
  • Think about the lenses you’ll want. Don’t spend your entire budget on a camera body to get stuck with a kit lens.

Just like all new tech, camera gear quickly depreciates. Last year’s best in class camera is often this year’s 50% off used deal. That doesn’t even mean it is worth buying because until you have experience, you don’t know what camera features are actually important to you.

The difficulty in finding deals is that there are hundreds of different camera models. Dozens of them might fit your needs. To make your life easier, I’ve been going through series of models to create used buying guides.

  1. Canon AE-1
  2. Pentax K1000
  3. Nikon FM2
  4. Asahi Pentax Spotmatic

All lenses aren’t equal, especially when it comes to vintange and early digital camera lenses. Modern lenses will give you images that are razor sharp corner to corner. Vintage lenses can set themselves apart by how they render, the color you can get with them, interesting bokeh, or other characteristics not valued by current photographers.

On the other hand, many vintage lenses are not good. Their performance may not be good enough to set them apart from other lenses. Worse, as time has gone on some lenses have defects such as haze, fungus, balsam separation, or degraded grease, that will render them worthless because of the difficulty in repair.

I’m somewhat indiscriminate in my purchasing of gear, so I get a mix of good, bad, and average. The lens reviews will help you find a lens worth owning. These are popular film cameras that recieve frequent lens questions.

  1. Canon AE-1 Lenses
  2. Pentax K1000 Lenses
  3. Pentax Spotmatic Lenses
  4. Nikon FM2 Lenses
  5. Nikon FE2 Lenses
  6. Canon A-1 Lenses
  7. Olympus OM-1 Lenses
  8. Minolta SR-T 101 Lenses
  9. Minolta X-700 Lenses

Have you ever been paranoid about the capacity of a battery? Especially if it was from a third party? I was.

I have figured out how ANYONE can inexpensively capacity test camera batteries. I have written a guide on how to capacity test camera batteries. It is a simple DIY project that only requires a screwdriver and pair of wire strippers.

Cameras are the fastest depreciating pieces of photography gear. That’s bad if you buy a new camera. If you buy used, you can get a high-end camera from 10+ years ago for pennies on the dollar.

Being able to use flagship cameras of years gone by is an interesting experience. Medium format in both film and digital become obtainable for non-professional uses. Or owning many cameras is remarkably affordable.

The camera reviews section showcases all of the cameras I have reviewed. You can also find information on camera manufacturers that are no longer in business.

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Flange Focal Distance

The Flange Focal Distance or Flange Distance (or flange focal depth, flange back distance, flange focal length, back focus, or register) of a camera refers to the distance from the mounting flange (the metal ring on the camera body where the lens is attached) to the film plane or image sensor. This distance is usually specified in millimeters. In other words, the flange focal distance is the distance between the rear surface of a camera lens (where it mounts to the camera) and the camera’s image sensor when the lens is focused at infinity.