The Sony A77 is a very good Single Lens Translucent camera. If you do not currently have a lens or are shopping for a different lens, this page will go over the top 6 lenses to have for the Sony SLT-A77.
Here is the list of the best Sony A77 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Beneath, the top Sony lenses are split up by type of photography. Also covered are different selections spanning a variety of costs.
A really good blend of lightweight and compact size. Quiet and smooth autofocus is powered by a built-in autofocus motor.
A circular aperture allows you to stop down by 2-stops and keep an almost completely circular aperture. This results in gorgeous bokeh and more versatility in managing the depth of field.
This is an initial model from the intro of the A-mount for autofocus. As a consequence of how old the lens is, the autofocus is controlled by a motor built into the A77 camera body.
Autofocus that is mechanically coupled can be fairly noisy and slow. In the event that that is not a problem for you, the picture quality is wonderful. The bokeh is eye-catching and you'll get a classic rendering.
Portrait & Telephoto Lens
Sony wanted to show off with this lens. Zeiss produced this lens. The ZA (Zeiss Alpha) shows that Zeiss created the lens only for the Sony A-mount.
This lens is incredible. Razor-sharp corner-to-corner with spectacular colors that produces outstanding portraits.
Potential downsides are that it is a tad on the heavy side as a result of being built like a tank and the autofocus can be slow. Take into account, that you'll encounter similar problems with any f/1.4 85mm.
The Rokinon is a low-cost possibility that is easy to buy. A lower price is due to the fact that the lens is manual focus.
Manually focusing at f/1.4 will require lots of practice. Stopping down to f/2.8 or f/2 will make focusing faster and easier and you will still get creamy bokeh.
In terms of cost, the lens fits between the other two. Acquiring a used copy in usable condition could be challenging as a result of a small available supply.
The lens does have autofocus, but it uses a mechanical coupler and is driven by an in-camera body motor. This means the lens will be slow to autofocus and a bit loud.
A Double-Gauss optical design is older and uses 6 lens elements. An upside to this is that images have a distinct look that is not able to be created by current lenses that contain far more lens elements.
Sony A77 Zoom Lenses
If you want to shoot indoor shooting, travel, family photos, and night events, this is the ideal fast zoom for that. The autofocus is fairly quiet and the lens is well built.
It is often compared to the legendary Zeiss 24-70mm, but it is about 1/2 the weight and costs considerably less. Both produce pro photos.
A more affordable selection that can still produce very good results. It is not a pro lens, therefore assuming that you don't expect all the bells and whistles, it is a very good lens.
For a telephoto zoom, it gives you a great range for getting photos of children outdoors, sports, and wildlife.
Image sharpness is great and the autofocus is snappy. The lens is made of plastic, which aids in minimizing weight.
This meets the criteria of a borderline super-telephoto lens. It is a fantastic affordable choice when you want a lens with lots of reach.
It is only 4.8 inches (12.2 cm) long, 2.8 inches (7.1 cm) in diameter, and is 1 pound 2 ounces (510g). While that's not lightweight, many professional telephoto zooms are multiple times heavier than that.
For just a little better capabilities take a look at the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, but unfortunately assume you will have to spend about twice the price.
Wide Angle Lens
Awesome quality for the money if you want to be able to capture great wide angle images that a standard zoom can't get. Distortion, especially of straight vertical lines is very low or non-existent unless you're intentionally trying to have an exaggerated perspective.
As well as being ideal at capturing gorgeous landscapes, it is a great lens to travel with. The lens is wide enough so that when you come across something you'll be able to get everything in the frame.
It is well-engineered and does a terrific job of reducing distortion. In addition, quite a lot of work has been done to reduce internal reflections and flare.
The result is an excellent lens that is suitable for architecture, landscape, and astrophotography. The rear focusing system means the front element does not rotate so you won't have any complications using a polarizer or any other filter.
It doesn't have blazingly fast autofocus, but the AF/MF focus clutch makes it a very good selection for manual focusing. A push or pull of the focus ring will switch the lens from auto to manual focus or vice versa.
The Tokina is faster compared to the Sony 11-18mm, which is not a large issue for landscape or architecture photos. Where you'll find an improvement is with astrophotography. That's a scenario where you'll want to have the 1-2 stop advantage the Tokina offers.
Having built-in filters is a great inclusion due to the fact the lens has a fixed petal-style hood which prevents a lens filter from being put on the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has almost everything you could want from a fisheye. You can take advantage of the exaggerated distortion, but the image will be tack sharp from corner-to-corner without vignetting.
The lens features a rounded front that means filters can not be attached. It comes with a detachable petal-type hood that you'll want to ensure is included if you get a used lens.
Quality is often a little hit or miss due to the low price of the lens. The majority of people are really happy with the results they get. It is still important to adequately test the lens when you get it to know for sure that it isn't flawed.
The best balance of cost, size, and working distance for the Sony A77. The autofocus will be a bit noisy, but for b taking macro photos, manual focus is ideal.
For the highest quality images at 1x magnification the lens really needs to be stopped down by 2 or more stops. By stopping down you will have a larger depth of field, which is very important for macro.
A 50mm lens isn't that great for 1:1 magnification because of how small the working distance will be. At that level of magnification, the front of the lens will have to be about 2 inches (5 cm) from the subject.
This lens is a good choice for copy work, close-up, and tabletop photography. It makes it easy to get closer to a subject than a standard 50mm lens, and that is good for nature photography when you want to fill the camera frame with a small subject, for instance, a flower.
The focus ring feels great when manually focusing, and the lens also has autofocus. Stopped down two or more stops and you will get razor-sharp images.
Additionally, be mindful when buying it as it is built in various lens mounts.
The focus ring feels great when manually focusing, and it also has autofocus. Stopped down at least a couple of stops and you'll get razor-sharp shots.
In addition, be cautious when shopping for it as it is produced for a few camera lens mounts.
Used A-Mount Camera Lens Prices
Pricing is frequently changing. Over the previous several years, interest in film shooting has been increasing. As there are 35mm Minolta cameras that use A-mount lenses, some additional demand is added to the cost of lenses.
The Sony A-mount also does not have a big market share. As a result, fewer third party options exist and the lenses built by Sony are all too often on backorder.
To get the cheapest price, check out prices on a few sites. For pre-owned lenses, be ready to buy when you see a good deal as they won't last long.
What Lens Mount Does the A77 Use?
The Sony A77 uses the Sony A-mount. It is also the same as the Minolta A-mount. The reason behind this is that Sony bought Konica Minolta's camera division in 2006.
Minolta engineered the A-mount for the introduction of interchangeable lens autofocus cameras in 1985. It is still being supported by Sony to this day.
Standard Lens Cap Size
55mm filter threads are the most common, but honestly, the sizes are inconsistent. Older Minolta lenses generally have 49mm filter threads.
You will also find several lenses that have filter threads much bigger than 55mm. It isn't hard to find to see 72mm or 77mm filter threads. It would have been nice if Sony used only 2 or 3 different filter sizes.