The 8 Best Canon Rebel T4i Lenses
This is a list of the 8 best lenses for the Canon EOS Rebel T4i. A variety of focal lengths for several types of photography are mentioned. In addition to the recommended lenses, each choice will have more alternatives for higher or lower prices.
There are more than enough possibilities available that virtually every photographer will be able to discover something they’d want in their camera bag.
Best Canon Rebel T4i Lenses:
Here is the list of the best lenses to use:
- Best All-Around Zoom: Canon EF-S 17-55mm f/2.8 IS USM
- Best Telephoto Zoom: Sigma 18-300mm f/3.5-6.3 DC OS
- Best Prime Lens: Canon EF 50mm f/1.8 STM
- Best Lens for Video: Canon EF-S 10-18mm f/4.5-5.6 IS STM
- Best Lens for Portraits: Canon EF 85mm f/1.8 USM
- Best Lens for Sports & Wildlife: Tamron SP 150-600mm f/5-6.3 Di VC USD G2
- Best Lens for Landscapes: Canon EF 20mm f/2.8 USM
- Best Lens for Macro: Canon EF-S 60mm f/2.8 Macro USM
Best All-Around Zoom Lenses
Canon EF-S 17-55mm f/2.8 IS USM: The lens was meant for the EF-S mount which is used on cameras that have APS-C sensors. The quality is comparable to what you would expect to see from Canon’s L-series. It is a significant step up from the zoom lens bundled with with the EOS Rebel T4i.
The large maximum aperture is constant through the zoom range making it possible for a shallow depth of field and spectacular background blur. Camera shake is counteracted due to built-in image stabilization.
If out of all Canon lenses that are available, you could only choose just one, this would be the best pick.
Sigma 17-50mm f/2.8 EX DC OS HSM FLD: Built-in image stabilization allows for the ability to capture razor sharp images up to 4 stops slower than with no stabilization. With the large aperture and great zoom range, the lens is perfect for everything from portraits to landscapes.
Judging by the outstanding reviews, people highly recommend this lens. It could end up being the go to choice for your camera.
Canon EF-S 15-85mm f/3.5-5.6 IS USM: With an equivalent zoom range in 35mm film format of 24-136mm, it makes a fantastic choice for everyday photography. It is also among the top selections for a single travel lens.
Best Telephoto Zooms
Sigma 18-300mm f/3.5-6.3 DC OS: This is like having several zoom lenses put together together. Having a 16.6x zoom ratio means all focal lengths from wide angle to telephoto are covered. Developed with 17 elements in 13 groups, four of which are FLD and 1 SLD element, means it is possible to capture high-quality, sharp crisp photographs, without having to be concerned with chromatic aberrations.
The sizeable zoom span does come at the price of it being heavy and large. Other choices that can be a better choice to dedicate a day carrying around with the Canon EOS Rebel T4i.
Canon EF-S 18-200mm f/3.5-5.6 IS: Here’s a very compact and lightweight lens that is still equippedwith a large zoom range. This is a good solution that supplies great overall performance, 4 stops of stabilization, all at a reasonable price. This is an ideal solution to avoid increased weight and size.
Canon EF 75-300mm f/4-5.6 III: Lighter weight and more compact than the lenses previously mentioned, which is often an important consideration if you would prefer not to carry a heavy kit. The focal length is equal to 120-480mm on all EOS Rebel cameras as they use Canon APS-C sized sensors.
Made without image stabilization, it is quite cheap. This lens is best used outside with lots of ambient light.
Best Prime Lenses
Canon EF 50mm f/1.8 STM: Superb photo quality in a lightweight and compact build that is one of the very best lenses built by Canon. A standard focal length that contains a large f/1.8 aperture makes this lens a great selection for low light shooting. The lens has a role in any kit and is an absolute must have for all photographers.
Avoid buying the older version as the focusing motor is loud and sluggish. If you attempt to save a little bit of money, you will possibly not be happy with the result. This is doubly true if you are intending to shoot video.
Canon EF-S 24mm f/2.8 STM: Out of all the solutions made for the EF-S mount, this is the most compact and slimmest. A true “pancake” lens that causes it to be an ideal pick for travel photography as the overall size is unsurpassable. It has the ability to take photos as close as 6 inches (16 cm).
Sigma 35mm F1.4 Art DG HSM: An amazing example of what the latest optical engineering is capable of. Shot wide open, photographs are tack sharp, from corner to corner. The Hyper-Sonic Motor enables accurate, quite, and fast autofocus.
Best Lenses for Video & Vlogging
Canon EF-S 10-18mm f/4.5-5.6 IS STM: Among all the Canon lenses, this is the most appropriate choice for shooting video. The ultra-wide-angle zoom range is ideally suited for creating videos and vlogging. The stepping motor (STM) allows for smooth dependable autofocus that will not generate any noise which can negatively impact audio. Furthermore, it’s small and light enough to not feel out of place when mounted on the Canon EOS Rebel T4i.
You have the ability to purchase it combined with the Canon 50mm f/1.8 STM in the Canon portrait and travel two-lens kit. The kit is an excellent choice if you would like to have 2 of the best lenses for Canon, while saving a little bit of money.
Tokina AT-X 116 PRO DX-II 11-16mm f/2.8: The one-touch focus clutch enables you to quickly switch from manual to auto focus without removing your hand from the focusing ring. The lens is also a very good choice to get into astrophotography because of the f/2.8 constant aperture.
Sigma 10-20mm f/3.5 EX DC HSM ELD SLD: This is another wide angle zoom that is brimming with optical tech. Internal focusing allows the use of a petal-type hood which generally will do a lot better job of preventing glare than a round lens hood. A hyper sonic motor (HSM) delivers noiseless operation.
Best Lenses for Portrait Photography
Canon EF 85mm f/1.8 USM: Many people would consider this the most commonly used lens for portraits created by Canon. The wide f/1.8 aperture is suitable for photography in low light and is able to create a shallow depth of field, with eye-catching bokeh, to draw attention to the subject of the photo. For wedding photographers, this is a necessary lens to purchase.
Sigma 50mm F1.4 Art DG HSM: A real pro tier lens that is a good pick for portraits ın addition to street, landscape, and studio work. There’s virtually no vignetting or distortion and it’s razor sharp from corner to corner, even when shot wide open.
Canon EF 100mm f/2 USM: Akin to the Canon 85mm f/1.8, but boasts a slightly narrower field of view. Just like the other two lenses mentioned, it’s very good for low-light shooting in a small package that is comfortable to manage.
This lens is not currently being made, so finding a new one might be challenging. Many used copies are still for sale. Check a variety of sites to obtain the best price.
Best Lenses for Sports & Wildlife
Tamron SP 150-600mm f/5-6.3 Di VC USD G2: The G2 is the 2nd generation of the lens and is a great advancement by Tamron. Photo quality level has improved across the complete zoom range and also still offering a very good construction quality. Truly fast and accurate autofocus is driven by an ultrasonic silent drive motor. With this on your camera, you will have no issues capturing terrific wildlife or action photos.
Sigma 150-600mm f/5-6.3 Contemporary DG OS HSM: The Sigma features a streamlined and light build for a hyper-telephoto lens. To add to that, the hyper sonic motor and optical stabilization, it contains a built-in accelerometer which can improve shots when panning. As an additional perk, there is quite often a promotional deal that is comprised of additional items along with free shipping with the lens when you buy one. That’s great because free camera gear is almost impossible to pass up.
Canon EF 100-400mm F4.5-5.6L IS II USM: Undoubtedly, this lens has superior photo performance than the others. Having said that, top quality performance goes hand and hand with a big price tag that is significantly bigger than that of the camera. Among the fantastic features of this lens is a rotation-type zoom ring which includes adjustable torque settings allowing the lens to be customized to personal taste.
Best Landscape Photography Lenses
Canon EF 20mm f/2.8 USM: Tipping the scales at only 405g (14.3 oz), this lens is a wide focal length that stays compact and lightweight. Even when set to autofocus there is a full-time manual focus override, which makes it much easier to nail focus. If you plan on hiking with the Rebel T4i, this is a great solution as it is likely to fit in pretty much every camera bag.
Samyang 14mm f/2.8 IF ED UMC: This is a more affordable ultra-wide lens with a built-in petal-type lens hood. A great option for not only landscape photography but also for real estate and astrophotography. The closest focusing distance is 10.8 inches (14 cm), but that will produce exaggerated distortion effects.
Sigma 20mm f/1.4 DG HSM Art: With a professional build, the 20mm is the widest angle lens Sigma sells in the Art series. Having 11 groups having 15 elements with a 5 Special Low Disperson and a Low Dispersion element, spherical aberration, field curvature, and axial chromatic aberration are almost non-existant.
It is a somewhat sizeable and heavy hunk of glass. You shouldn’t anticipate the lens being nicely balanced when on the camera.
Best Canon Lenses for Macro
Canon EF-S 60mm f/2.8 Macro USM: The first to be designed by Canon for the EF-S mount, this is a real macro lens, with the capability to reach 1:1 magnification. When focusing, the front element doesn’t turn, as it was designed with an internal focusing system. You will enjoy the sharp shots created by this lens. It is a very good option to use with the EOS Rebel T4i on account of the compact size and reasonable price being difficult to beat.
Canon EF 100mm f/2.8L Macro IS USM: A professional L-series lens featuring internal focusing and stabilization. It is weather sealed, and that makes it a very good choice to have out into the field in difficult conditions. Buy this lens and you will never need to go looking for another solution.
Tamron AF 90mm f/2.8 Di SP A/M 1:1 Macro: With a recessed front element and a very good working distance, you will most likely never be required to attach the lens hood. Take into account that it does not have an internal focusing system, therefore the lens will extend when focusing on close subjects.
A further potential disadvantage if you desire to use it as a portrait lens is that there’s no integrated image stabilization. Working with a flash will prevent that from being a major problem.
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