The Best Nikon D300 Lenses

This list of the best Nikon D300 lenses covers all types of photography. From portraits to sports and wildlife, every photographer will be able to find the right lens to show of the high image quality of the D300.

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  1. Best Zoom Lens - Nikon 55-300mm f/4.5-5.6G ED VR
  2. Best Wide Angle Lens - Tokina 11-16mm f/2.8 AT-X116 Pro DX II
  3. Best Telephoto Lens - Nikon AF-S Nikkor 85mm f/1.8G
  4. Best First Prime - Nikon AF-S DX 35mm f/1.8G
  5. Best Macro Lens - Nikon Micro-Nikkor 40mm f/2.8G
  6. Best All in One Lens - Nikkor 18-55mm f/3.5-5.6G ED AF-S DX VR

One of the most useful and affordable zoom lens is the Nikon 18-55mm f/3.5-5.6G, which was the kit Nikon D300 lens. The 18-55mm f/3.5-5.6G is not going to be discussed as a large percentage people likely already own it.

Wide zoom lenses are discussed in the wide angle section.

Telephoto zoom lenses are great with the Nikon D300 for wildlife, sports, portraits, action, or any subject that is far away.

Nikon 55-300mm f/4.5-5.6G ED VR Telephoto Zoom Lens
Nikon 55-300mm f/4.5-5.6G
  • Fast and Quiet Autofocus
  • Vibration Reduction Image Stabilization for Superb Handheld Shots
  • Has a Massive Focal Length Coverage
  • Outstanding Focal Length for Sports Photography with the Nikon D300

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The primary draw of the Nikon 55-300mm f/4.5-5.6G is the reach the lens has used in combination with image stabilization. It will be a very good choice any time you can’t get nearer to your subject. Like the other zooms, the aperture of f/5.6 at the long end of the zoom range is a bit small, faster options are a lot more.

You won’t have to break the bank to get this lens. There are many pre-owned copies for sale as it was included with the Nikon D3400, D5500, and D5600 digital cameras.

In order to span the large zoom range, the lens is comprised of 17 elements in 11 groups. Two of the elements are extra-low dispersion and one is a high refractive index element to ensure sharp images.

It weighs in at 580g (18.7 oz), with dimensions of (Diameter x Length) 3.0 in. (76.5 mm) x 4.8 in. (123 mm). While not small, it can still easily be carried around on the camera or in your bag.

Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR Zoom Lens
Nikon 55-200mm f/4-5.6G
  • Excellent Value When Purchased Used
  • Silent Wave Motor for Accurate Autofocus
  • Excellent for Wildlife, Sports, Action, & Portraits
  • 2 Extra-Low Dispersion (ED) Lens Elements
  • (VR) Vibration Reduction Image Stabilization

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The Nikon 55-200mm f/4-5. 6G was often included with the D3100, D3300 And D2300 DSLR cameras. It is a unbelievable deal when purchased second-hand.

A copy in very good cosmetic condition is found for less than half the going rate a second-hand Nikon 55-300mm.

The only disadvantage of the 55-200mm is the loss of 100mm of reach. It still has VR image stabilization and to help you get sharp images when hand-holding the camera.

One benefit of the lens is that carrying it around won’t be an issue. It weighs 335g (11.8 oz) with dimensions of (Diameter x Length) 2.9 in. (73.6 mm) x 3.9 in. (99.5 mm).

Tamron 70-300mm f/4.0-5.6 Di LD Super Zoom Lens
Tamron 70-300mm f/4-5.6
  • Ultra Silent Drive (USD) Autofocus Motor
  • Extra Low Dispersion (XLD) Glass Element
  • Broad-Band Anti-Reflection (BBAR) Lens Coating
  • 9 Aperture Blades for Beautiful Bokeh
  • Minimal focus distance 59.1"

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The Tamron 70-300mm is an excellent option if you want 300mm of reach, but don’t want to pay as much for the 55-300mm from Nikon.

One big disadvantage is that there is no image stabilization. This will make it difficult to get sharp images hand holding the lens.

Comparable optical image stabilization is included in the Tamron as found in the Nikons. All of them have extra-low dispersion elements and anti-reflective lens coatings.

The lens weighs 16.1oz (458g). It has a length of 5.6" and diameter of 3.2".

The Nikon D300 can take advantage of a wide angle lens to shoot landscapes, astrophotography, architecture, group photos, real estate photography, and more.

One thing to watch out for is the wide angle causing strong distortion. Portraits can be tricky as noses or any body part close to the camera lens will appear distorted.

An advantage of a wide angle is that image stabilization is not as essential. Small movements or vibrations are not as likely to be noticed in an image.

Having a fast maximum aperture is important for astrophotography. {To get the best possible photos, you want at least a f/4, if not f/2.8 maximum aperture|For the most impressive images, you want the maximum aperture to be a minimum of f/4.

Tokina 11-16mm f/2.8 AT-X116 Pro DX II Wide Angle Zoom Lens
Tokina 11-16mm f/2.8
  • Perfect pick for night photography
  • Fast f/2.8 Maximum Aperture
  • 77mm Front Filter Threads
  • Focus Clutch Style M/A Selector

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The Tokina 11-16mm f/2.8 is fast and sharp. With a large aperture, this lens is a great selection for astrophotography.

One key feature of the lens is the focus clutch that controls changing between manual focus and autofocus. To switch focus, the entire focus ring is either pushed forward or pulled back.

There is a built-in autofocus motor, but it is loud. This might be a big problem if you need quiet operation when shooting at an event.

The lens is comparatively large, weighing 550g (1.21 lbs) with dimensions of 4.02 x 4.02 x 4.02 in (L x W x H)

Be careful when you look to purchase the lens. Tokina also makes versions that use a different lens mount like the Canon EF or Sony A mounts. Make sure the lens you get is compatible with Nikon.

Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Wideangle Zoom Lens
Sigma 10-20mm f/3.5
  • Hyper-Sonic Motor (HSM)
  • Ultra-wide angle lens
  • Internal Focus and Excellent Build Quality
  • Super Multi-Layer Coating
  • Built with Aspherical Elements that Reduce Distortion

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The Sigma 10-20mm f/3.5 falls into the same price range as the Tokina 11-16mm f/2.8. It has a larger zoom range, but a slightly smaller maximum aperture.

At 10mm the lens is going to produce an exaggerated distorted perspective. You’re likely going to see distortion, which you can reduce through post-processing.

4 aspherical elements have been used to help reduce distortion and aberrations. In total there are 13 lens elements in 10 groups to ensure the best image quality possible.

All that glass doesn’t make the lens too heavy, coming in at a weight of 520g (18.3 oz). Dimensions are diameter of 3.4" (87.3mm) and length of 3.5" (88.2mm).

Be careful if you are looking to purchase this lens. Sigma also made copies of the lens for other DSLR camera mounts including, Canon EF, Sony A, and Pentax K mounts. Make sure the one you buy uses the Nikon F lens mount.

The 55-300mm & 55-200mm lenses listed in the zoom section are also the lenses to look for first if you need a telephoto lens.

This section is going to take a look at telephoto prime lenses for sports, action, wildlife, and portrait photography. There is no shortage of these lenses available for the Nikon F-mount.

However, telephoto prime lenses tend to be expensive because the amount of optics that need to be used. The weight of the lens and ergonomics when mounted on the D300 needs to be taken into account. The right lens the one that is easy to handle and use so you can capture memorable pictures.

Nikon AF-S Nikkor 85mm f/1.8G Prime Telephoto Portrait Lens
Nikon 85mm f/1.8G
  • Best Lens for Portraits
  • Internal Focus (IF)
  • Silent Wave Motor (SWM)
  • Superb Color Reproduction

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The Nikon 85mm f/1.8G is one of the best Nikon lenses for professional photographers. It is a fast lens that delivers excellent images and pleasing bokeh.

The 85mm 1.8G is a full frame lens. You’ll notice two differences when comparing it against a DX lens.

First, full frame lenses are usually more expensive than DX lenses. They have larger lens elements, which translates to additional cost.

Second, the lens is larger than many DX lenses. While not a huge issue, if you plan to carry it around with another lens, you’ll definitely need a bag.

Nikon AF-S FX Nikkor 50mm f/1.8G Standard Prime Lens
Nikon 50mm f/1.8G
  • Very Good Lens with a Fast Aperture
  • Silent Wave Motor (SWM)
  • Small and Lightweight
  • Excellent Pick for Low Light Photography

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Taking the crop factor focal length multiplier into account, this lens could be thought of as a short telephoto. It is a relatively inexpensive fast prime that can be made use of for portraits and indoors. It is likely the best FX lens for the Nikon D300.

The FX 50mm f/1.8G provides more reach than the DX 35mm f/1.8G, while still having a similar price.

There are not huge differences between the lenses. With the 50mm, you’ll get a bit more reach and blurring the background will be less complicated.

It weighs 185g (6.6 oz) and has dimensions of (Diameter x Length) 2.83" x 2.01".

Nikon AF-S DX 35mm f/1.8G Standard Prime Focal Length Lens
Nikon 35mm f/1.8G
  • Very Accurate Autofocus Performance
  • Takes Excellent Pictures in Tricky Lighting Situations
  • Excellent Nikon D300 lens for street photography
  • High Build Quality
  • Best option for an all around lens

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The Nikon AF-S DX 35mm f/1.8G is the best lens for the Nikon D300.

A maximum aperture of f/1.8, means you’ll be able to isolate your subjects and create beautiful bokeh. Indoors the lens is fast enough to where you will not need to use flash.

With a 35mm equivalent field of view of 52.5mm, you’ll have a “standard” field of view. Your photos will have a perspective that is similar to what is seen by human eyes.

Weighing just 200g (7oz), there’s never a reason not to have the lens with you. With dimensions of (Diameter x Length) 2.8 in. (70 mm) x 2.1 in. (52.5 mm), you can easily keep it in a coat pocket or bag.

Macro photography starts with a reproduction ratio of 1:1. That 1:1 ratio can also be referred to as life size or 1X magnification.

Those terms all mean that the subject being photographed is the same size as the camera’s sensor. Popular subjects are insects, coins, flowers, copy work and academic subjects.

There are other ways to achieve macro magnification, such as extensions tubes. Personally, I find that a macro lens easier to use and gives better results. That’s because a macro lens has a large minimum focus distance.

As a quick note, Nikon branded their macros as Micro-Nikkor lenses. This is a constant source of confusion as micro and macro have opposite meanings.

Nikon Micro-Nikkor 40mm f/2.8G Macro Lens
Nikon Micro-Nikkor 40mm f/2.8G
  • Close-Range Correction System (CRC)
  • Silent Wave Motor (SWM)
  • Maximum Reproduction Ratio of 1X
  • Well Built with a Rubber Sealing Mount Protects Against Dust and Moisture
  • Excellent option for Close Ups

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The Nikon Micro-Nikkor 40mm f/2.8G is the best pick for getting started with macro and close-up photography with the Nikon D300.

As far as modern macro lenses go, the lens is relatively inexpensive. It also has a high-quality autofocus motor and uses current optics.

This means the lens can also be used for general photography. That’s not the case with older macros, as their image quality only becomes excellent after the lens is stopped down.

The lens weighs 235g (8.3 oz) with dimensions (diameter x length) of 2.7 in. (68.5 mm) x 2.5 in. (64.5 mm).

Nikon AF-S DX Micro Nikkor 85mm f/3.5G ED VR Telephoto Macro Lens
Nikon Micro-Nikkor 85mm f/3.5G
  • Super Integrated Coating (SIC) to reduce Chromatic Aberration
  • Maximum Reproduction Ratio of 1X
  • Built with Internal Focus (IF)
  • VR - Vibration Reduction Image Stabilization

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The primary benefit of the 85mm macro lens over the 40mm is a longer working distance. That’s the distance from the front of the lens to the subject.

At 1X magnification, the front of the lens is going to be close to the subject. If you are trying to photograph an insect, this may cause them to try to get away.

Another issue could be properly lighting a subject. Depending on your light source it could be tough to get it setup without the lens blocking it.

The downside is that a little more working distance adds to the cost of the lens.

While not the primary purpose of the lens, it can be used for portraits, but the f/3.5 maximum aperture might not create the best background bokeh.

  • Overall Image Quality
  • Price to Performance
  • Focal Length Range

Having a high-quality lens is of greater importance for image quality than an expensive camera. Lenses don’t wear out, you will be able to keep your lenses if you ever decide to upgrade your Nikon D300.

That doesn’t mean that price is not a factor. It wouldn’t seem sensible to advise using expensive lenses, even if they are the best quality.

All the most commonly used focal lengths have been reviewed.

Niche or professional lenses such as perspective control, macro, mirror, and fisheye lenses have not been covered. They are expensive enough to also advise a camera upgrade.

The Nikon D300 was released in 2005. It should be come as no surprise that there are many Nikon D300 upgrade options available. One of the nice things is that you can still use the same lenses with a newer camera, the majority with seamless compatibility.

Having access to different focal lengths, a fast prime, or a recently released lens will do more for you than a new camera. However, it is impossible to overlook the high resolution available from a more recent APS-C camera body as well as fast continuous shooting speed and more white balance options.

The price of a second hand Nikon D300 replacement is a fraction of the price when the camera was just released. That same drop in price also applies to recent camera models.

An upgrade that is a perfect match for the needs you have is almost certainly much less expensive than you would imagine if you’re prepared to sell your D300 camera as soon as you have the replacement.

  • Wide Angle - Captures a large angle of view of a scene. These have a short focal length.
  • Standard - Has a field of view that looks "natural" when viewed by people. Any focal length between 35mm to 50mm.
  • Telephoto - Lenses with a narrow field of view, great for subjects that are far away or small. Wildlife photos are a popular use for this type of focal length.
  • Macro - Has the ability to take images close up to a subject at a 1:1 magnification ratio of subject to sensor size.
  • Fisheye - Ultra wide-angle lenses that produce distorted circular images.
  • Zoom - The focal length spans a range. The zoom range coverage will vary, but manufacturers are always trying to make more impsersive zomo ranges.
  • Prime - Lenses with a fixed focal length. Usually, they have larger apertures than zoom lenses. Larger apertures are better for low light condition and creating blurry backgrounds with a telephoto lens. Better ones will have razor sharp image clarity.

The D300 camera works with Nikon F-mount lenses. The F-mount was first utilised on Nikon cameras in 1959. There are a number of variations of the lens mount as it has been modified over time to work with digital SLR cameras.

Early autofocus lenses employed a focus motor built into camera bodies. The Nikon D300 is one of the only entry level digital SLR cameras to have the focus motor built-in. As a result, autofocus will work with early autofocus lenses.

The Nikon D300 does not have a meter coupling ridge or EE servo coupling post. Light metering won’t work correctly for manual lenses without electrical contacts. AF lenses with physical aperture rings will likely need to be stopped down to their smallest aperture.

The Nikkor 18-55mm f/3.5-5.6G ED AF-S DX VR was originally sold with the Nikon D300. This was most commonly sold with second-hand D300’s for sale on eBay or Amazon.

It is one of the dx nikkor lenses that have been included together with cameras over the years. These make up the right lens selection for a large percentage of the predicted needs of a Nikon D300 owner.

In challenging low light conditions using fill flash from the camera will help. Compatible lighting equipment like Nikon’s creative lighting system will probably be helpful if you can purchase second hand flashes that are affordable.

If you don’t have this lens, it is a fantastic first pick for the camera. The focal length, image stabilization, and performance is solid, especially considering the low price of a pre-owned copy. The one undesirable aspect is the f/5.6 aperture at the long end.