The Sony A77II is an awesome camera. If you don't own a lens for your camera or are shopping for a new lens, this article will talk about the best 6 lenses to have for the Sony ILCA-77M2.
Here are the best Sony A77ii lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Below are the best Sony lenses separated by focal length. Also included are alternative alternatives covering a range of costs.
An extremely good combination of compact size and lightweight. Smooth and quiet autofocus is delivered from a built-in motor.
The circular aperture allows you to close down by 2-stops and still have close to a circular aperture. This provides gorgeous bokeh and greater flexibility in managing depth of field.
This is among the first lenses from when Minolta originally unveiled the A-mount for autofocus. Because of how old the lens is, the autofocus is controlled by the built-in motor in the A77II.
Autofocus that is coupled can be fairly noisy and jerky. Having said that, if that's not a concern for you the results are fantastic. The bokeh is pleasing and you will end up with a classic look to your images.
Portrait & Telephoto Lens
Sony wanted to exhibit what the A-mount is able to do. The lens was built by Zeiss. The ZA (Zeiss Alpha) signifies that Zeiss designed the lens exclusively for the A-mount.
This lens is unbelievable. Tack sharp corner-to-corner with vibrant colors that creates astonishing portrait photos.
A potential downside is that it's a bit heavy thanks to being built like a tank and it can be slow to autofocus at times. Be aware, that you will come across those same issues with any f/1.4 85mm.
The Rokinon is a widely available low-cost choice. Cost savings come from the fact that the lens doesn't have autofocus.
At f/1.4 manually focusing will take some practice. Closing down the aperture to f/2.8 or f/2 can make focusing faster and easier and you will still get amazing bokeh.
This lens falls in the middle of the price range of the other two lenses. Finding a used lens in good usable condition can be challenging on account of a limited supply available.
While the lens has autofocus, it is powered by the in-camera body motor that uses a mechanical coupler. This makes the lens slow and relatively noisy.
A Double-Gauss optical design is older and only contains 6 elements. The upside to this is that images possess a classic look that is unable to be made by current lenses that are built with far more elements.
Sony A77II Zoom Lenses
If you want to shoot indoor shooting, travel, family photos, and night events, this is a fantastic fast zoom for that. The autofocus is quiet and the lens is well built.
It is often compared to the excellent Zeiss 24-70mm lens, but it's close to half the weight and costs considerably less. Both lenses create pro results.
While still delivering great results, this is a budget solution. It is not a professional lens, consequently assuming that you do not expect high-end tech, it is a great lens.
As a telephoto zoom, it has an outstanding zoom range for shooting photos of wildlife, sports, and children outdoors.
Picture sharpness is good and the autofocus is quick. The lens is made out of plastic, which helps trim down on weight.
A borderline super-telephoto lens due to the large zoom range. It's an excellent cheap solution for when you would like a long lens.
It is 4.8 inches (12.2 cm) long, 2.8 inches (7.1 cm) in diameter, and comes in at 1 pound 2 ounces (510g). While not light, many professional telephotos are many times heavier.
For just a little better performance you can look for the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, however, plan on paying close to twice the price.
Wide Angle Lens
Incredible value for the money if you want to shoot excellent wide photos that a kit zoom can't capture. Distortion, especially of vertical lines is minimal or non-existent unless you are trying to get an exaggerated perspective.
Along with being awesome at taking spectacular landscapes, it is also a terrific lens to travel with. The lens is wide enough so when you come across something you will be able to get everything you see into the Sony A77II's frame.
It is a well-corrected lens that does a terrific job of reducing distortion. On top of that, a tremendous amount of effort has been done to reduce internal reflections and flare.
The result is a terrific lens that is perfect for architecture, landscape, and astrophotography. The rear focusing system means the front does not rotate meaning you won't have any problems using a polarizer or other filter.
It doesn't have blazingly fast autofocus, but the manual/auto focus clutch means it's a superb pick for manual focusing. A push or pull of the focus ring switches the lens from auto to manual focus.
The Tokina has a larger aperture than the Sony 11-18mm, which is not a huge issue for architecture or landscape photos. Where you'll notice something different is during astrophotography. That is a scenario where you will want to have the 1-to-2 stop advantage the Tokina offers.
Built-in filters are an excellent addition because the lens has a petal-style hood which means a lens filter cannot be mounted to the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has almost everything you could want from a fisheye. You'll obtain corner-to-corner sharpness without seeing vignetting while still getting exaggerated distortion.
The lens contains a curved front element that means lens filters can not be used. It has a detachable petal-shaped lens hood that you will want to make sure is included if you buy a used lens.
Construction quality will be somewhat hit or miss because of the affordable price. Almost all owners are quite happy with the pictures they get. It is still important to fully check out the lens when you get it to ensure it is not flawed.
The optimal balance of cost, working distance, and weight for the Sony A77II. The autofocus is a bit loud, but for shooting macro pictures, manual focus is easier than using AF.
For good photos at 1:1 magnification, the lens ought to be stopped down by two or more stops. Doing that will additionally give you a wider depth of field, which is always important for macro.
A 50mm isn't that great for 1x magnification due to how small the working distance will be. At 1x magnification, the front lens element will be about 2 inches (5 cm) from the subject.
This lens does a good job at close-up, copy work, and tabletop photography. It helps you to get closer to a subject than a standard 50mm lens, and that's good for nature photography if you need to fill the camera frame with a tiny subject, for instance, a flower.
The focus ring feels great when manually focusing, and it also has autofocus. Stopped down two or more stops and you'll get razor-sharp images.
Also, be mindful when shopping for this lens as it is offered in a variety of camera lens mounts.
Used A-Mount Camera Lens Prices
Prices are always changing. During the past several years, interest in film photography has been soaring. Due to the fact that there are Minolta 35mm film cameras that use A-mount lenses, some additional demand is added to the price of lenses.
The A-mount also doesn't have a sizeable share of the market. For that reason, a smaller number of third party options exist and the lenses made by Sony are routinely on backorder.
To get the least expensive price on what you want to buy, check out prices on different sites. For pre-owned lenses, be prepared to make a purchase when you see a good deal as they tend not to last long.
What Lens Mount Does the A77II Use?
The Sony A77II uses the Sony A-mount. It is also the same as the Minolta A-mount. This is due to Sony buying Konica Minolta's camera division in 2006.
The A-mount was developed by Minolta for the intro of interchangeable lens cameras with autofocus in 1985. It's still Supported by Sony.
Standard Lens Cap Size
Generally 55mm, but in reality, the sizes are all over the place. Previous Minolta lenses tend to have 49mm filter threads.
You can also find a number of lenses that have much larger filter threads than 55mm. It's not rare to see 72mm or 77mm. It would have been nice if Sony utilized only 2 or 3 different filter sizes.