The Sony A57 is a fantastic Single Lens Translucent camera. If you do not currently have a lens for your camera or are wanting for another lens, this will talk about the top 6 lenses for your Sony SLT-A57.
Here are the best Sony A57 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Below are the best Sony lenses split up by focal length. Also mentioned are additional choices varying in price.
- Lens not zoomable
- Filter diameter (mm): 49 mm
- Small size, light weight portrait lens
- 35mm focal length equivelant on APS-C; 75mm
- Smooth and silent AF operation with built-in motor (SAM)
An outstanding mix of compact size and lightweight. The built-in autofocus motor is quieter and more accurate than older lenses that rely on the physically coupled autofocus drive system.
Rounded aperture blades allow you to close down to f/4 and still have an almost completely circular aperture. The result is attractive bokeh and more versatility in controlling depth of field. An excellent Sony A57 lens
This is an older design from the launch of the A-mount. On account of how old the lens is, the autofocus is powered by the built-in motor in the A57's camera body.
Physically coupled autofocus can be noisier and slower than other A57 lenses. If that is not a concern for you the picture quality is superb. You'll end up with a detailed classic look to photos and attractive bokeh.
An additional considerable advantage of this lens is the price. It's considerably more affordable when compared with the Sony 50mm f/1.8 and on top of that might be the least expensive lens listed.
- Ultra-bright standard 50mm lens with f/14 maximum aperture for Sony Alpha digital SLR cameras
- Maximum magnification ratio (x): 0.15x.Provides superb clarity and visual accuracy even when shooting at fully open apertures indoors
- Employs in-camera Super SteadyShot image stabilization system to minimize blur from camera
- Circular aperture for low-light shots; 15-foot minimum focus distance; 55mm filter diameter
- Measures 256 inches in diameter and 169 inches long; weighs 8 ounces
Slightly faster compared to the Minolta or Sony f/1.8, nevertheless, that can definitely make an impact when you are shooting without much light. That naturally comes at an additional cost.
It is still a small and light lens that balances nicely on the A57 and can fit into nearly every camera bag.
A slightly lower priced solution is the Minolta AF 50mm f/1.4. Bear in mind that they can be very difficult to track down in usable condition. It also was designed with coupled autofocus, which is worse than lenses that have built-in motors.
Portrait & Telephoto Lens
- 85mm f1.4 telephoto lens boasts professional performance for portraits and close-ups
- Astonishing sharpness at fully open aperture
- T* coating to reduce flare and increase contrast
- Smooth, visually pleasing background effects
- Focus hold button for full creative control, auto clutch to stop manual focus ring rotation
Sony showed off with this lens. The ZA (Zeiss Alpha) signifies that Zeiss manufactured the lens exclusively for the Sony A-mount vs designs that get used on multiple camera systems.
This is a brilliant lens. Corner-to-corner sharpness with spectacular color that creates amazing portrait photos.
A potential downside is that it's a little bit on the heavy side as a result of being built like a tank and it can feel slow to autofocus. Keep in mind, that you'll find those same problems with any f/1.4 85mm lens.
The Rokinon is a low-cost possibility that is convenient to buy. Cost savings come from the fact that the lens is manual focus.
At f/1.4 manually focusing will need lots of practice. Stopping down to f/2 or f/1.8 will make focusing much easier and you'll still get smooth bokeh.
In terms of price, this lens fits between the others. Finding a used copy in better than acceptable condition can at times be difficult as a result of a small available supply.
The lens does have autofocus, but it uses a mechanical coupler and is driven by an in-camera body motor. This makes it slow to autofocus and fairly loud.
The lens is an older 6 lens element Double-Gauss design. That's not a negative as the lens provides a unique appearance that is not able to be made using a modern-day lens.
Sony A57 Zoom Lenses
- Minimum Focus Distance: 1.3" (0.38m) from sensor
- Magnification: 0.22x
- Lens Groups-Elements: 16 Elements, 14 Group
- Filter Diameter: 67mm
- Lens Type: Constant Aperture Standard Zoom Lens
If you want to shoot night events, travel, indoor shooting, and family photos, this is an excellent fast zoom for that. It is a well-crafted lens with fairly quiet autofocus.
It often gets compared to the excellent Zeiss 24-70mm, because they are similar in focal length, but it's around half the weight and costs less. Both lenses produce pro results.
- Compatible with 35 mm Full Frame, or APS-C format A-mount cameras.
- Small size, light weight telephoto zoom lens. Circular Aperture
- 35mm focal length equivelant; 82.5-300mm
- Smooth and silent AF operation with built-in motor (SAM)
- Closest focus distance: 0.95m; Maximum magnification: 0.29x
While still creating wonderful results, this is a cheaper alternative. It's not a pro lens, so so long as you do not need all the bells and whistles, it is a good lens.
As a mid-range telephoto zoom, it gives you a terrific zoom range for taking images of wildlife, sports, and children outdoors.
Image sharpness is good and the autofocus is fast. It's made out of plastic, which helps cut down on weight.
- 75-300mm telephoto zoom lens with f/4.5-5.6 maximum aperture for Alpha digital SLR cameras
- Ideal for taking close-up portraits and sports action without making subject nervous
- Gives light sources a pleasing circular defocused effect in the background for better results
- Minimum focusing distance of 4 feet, 11 inches; 7 aperture blades; 55mm filter diameter
- Measures 2.81 inches in diameter and 4.81 inches long; weighs 1 pound, 2 ounces
This qualifies as a super-telephoto lens. It's an outstanding inexpensive option among Sony A57 lenses when you want lots of reach.
It's only 2.8 inches (7.1 cm) in diameter, 4.8 inches (12.2 cm) long, and comes in at 1 pound 2 ounces (510g). While not considered light, many professional telephoto zooms are many times heavier.
For a little bit better capabilities take a look at the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, but expect to pay nearly twice the price.
Wide Angle Lens
- DT lens design for optimum performance
- Maximum Magnification ratio (x): 0.125x.Delivers excellent wide-angle and long telephoto shots
- Mount : Sony A-mount
- Aspherical lens elements for wide-angle accuracy
- ED glass elements for sharp, accurate colors, 35mm Equivalent: 165 to 27mm
Incredible value for the money if you want to take great wide-angle images that a kit zoom cannot capture. Distortion, especially of vertical lines is small or non-apparent unless you are trying to get a distorted perspective.
As well as being outstanding at shooting gorgeous landscapes, it is also a terrific lens to travel with. The angle of view is wide enough so that when you come across something you'll be able to get everything you see into the Sony A57's frame.
- 20mm f2.8 wide-angle lens
- Visual accuracy from 10 inches to infinity
- Coated optics for clarity and definition
- Rear focusing system for fast autofocus response
- Circular aperture for defocused effects
A well-corrected lens that does a great job of minimizing lens distortion. Additionally, a great deal of effort has been put into minimizing flare and internal reflections.
The result is a terrific lens that is well suited for architecture, astrophotography, and landscape photography. The lens has a rear focusing system which means the front doesn't rotate meaning you won't have any problems using a circular polarizer or different filter.
It does not have very fast autofocus, but the focus clutch means it's an excellent selection for manual focusing. A pull or push of the focus ring will switch the lens from auto to manual focus.
The Tokina is faster when compared to the Sony 11-18mm, which is definitely not a huge deal for architecture or landscape photos. Where you'll notice an improvement is with astrophotography. That's a situation where you would want to take advantage of the 1-to-2 stop advantage the Tokina supplies.
- 16mm (35mm equivalent) f2.8 fisheye lens provides unique photographic perspective
- Corner-to-corner sharpness
- Crisp focus from about 8 inches to infinity
- 4 built-in filters: Normal, 056, B12, A12
- Quick filter selection with a simple rotating dial
Having built-in filters is a good addition because the lens has a fixed petal-style hood which prevents a lens filter from being put on the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has everything you could desire from a fisheye lens. You can achieve the exaggerated distortion, but the image will be tack sharp from corner-to-corner without vignetting.
The lens has a round front element which means filters can not be used. It comes with a removable petal-shaped hood that you'll want to make sure that it is included if you opt for a pre-owned lens.
Build quality can be hit or miss as a result of the very low price of the lens. The majority of owners are very happy with the results they get. You'll still want to thoroughly test out the lens when you obtain it to be certain that the lens is not a dud.
- 100mm macro lens with f/2.8 maximum aperture for Sony Alpha digital SLR cameras
- Works with Super SteadyShot image stabilization system to keep image steady in low light
- Focus range limiter speeds up autofocus response; focus hold button gives you full control
- High contrast and resolution gives your shots greater visual accuracy for close analysis
- Measures 3 inches in diameter and 4 inches long; weighs 1 pound, 2 ounces
A perfect balance of cost, size, and working distance for the Sony A57. The autofocus can be a little noisy, but for shooting macro images, manual focus is the way to go.
For the highest quality photos at 1:1 magnification, the lens should be stopped down. By stopping down you will have a larger depth of field, which is important for macro.
- Bright f2.8 aperture for low-light shots
- High-contrast, high-resolution image quality
- Focus Range Limiter for faster auto focusing
- Focus Hold button for full creative control
- 35mm Focal-length equivalant: 75mm
A 50mm isn't the best for 1:1 magnification because of the short working distance. At that level of magnification, the front of the lens will need to be around 2 inches (5 cm) away from the subject.
This compared to other macro A57 lenses, it does well at close-up, copy work, and tabletop photography.
The lens gives you the option to get closer to a subject than a standard 50mm, and that is great for nature photography if you want to fill the frame with a smaller sized subject, for instance, a flower.
- Country of Origin:Japan
- Package length:3.8"
- Package width:2.8"
- Package height:2.8"
In addition to having autofocus, the focus ring feels great when manually focusing. Closed down two or more stops and you will get tack sharp photos.
In addition, be cautious when getting this lens as it's manufactured in a variety of camera mounts.
Used A-Mount Camera Lens Prices
Prices are constantly changing. During the past handful of years, interest in film shooting has been expanding. Seeing as there are 35mm Minolta film cameras that use the A-mount, some additional demand is placed on the price of lenses.
The Sony A-mount also doesn't have a sizeable share of the market. Due to this fact, there are fewer third party choices and the lenses made by Sony are routinely on backorder.
To find the best price on what you want to buy, look at several sites. For pre-owned lenses, be prepared to pay for when you see a bargain as they tend not to be available for long.
What Lens Mount Does the A57 Use?
The Sony A57 uses the Sony A-mount. It's also identical to the Minolta A-mount. This is due to the fact that Sony acquired Konica Minolta's imaging division in 2006.
Minolta developed the A-mount for the intro of interchangeable lens cameras with autofocus in 1985. It's still Supported by Sony.
Standard Lens Cap Size
Generally 55mm, but honestly, the sizes are all over the place. Earlier Minolta lenses mostly feature 49mm filter threads.
You will also find quite a few lenses that have much larger filter threads than 55mm. It isn't rare to see 77m or 72mm filter threads. It would've been good if Sony stuck to only 2 or 3 different filter thread sizes.