The Sony A550 is a great camera. If you don't currently own a lens or are looking for a different lens, this page will go over the top 6 lenses for your Sony DSLR-A550.
Here is the quick list of the best Sony A550 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Below are the best Sony lenses categorized by focal length. There are alternative choices covering a variety of prices.
- Lens not zoomable
- Filter diameter (mm): 49 mm
- Small size, light weight portrait lens
- 35mm focal length equivelant on APS-C; 75mm
- Smooth and silent AF operation with built-in motor (SAM)
A great combo of small size and lightweight. Fast and quiet autofocus is provided from a built-in autofocus motor.
Rounded aperture blades allow you to stop down to f/4 and still have close to a completely circular aperture. This delivers stunning bokeh and more flexibility in managing the depth of field.
This model was released by Minolta together with the launch of the A-mount. As a consequence of how old the lens is, the autofocus is done by the motor built into the A550's body.
Autofocus that is coupled can be laggy and fairly noisy. In the event that that's not an issue for you, the results are terrific. You'll get attractive bokeh and a classic image rendering.
One more great benefit of this lens is the price. It's significantly cheaper than the Sony 50mm f/1.8 and on top of that could be the cheapest lens listed.
- Ultra-bright standard 50mm lens with f/14 maximum aperture for Sony Alpha digital SLR cameras
- Maximum magnification ratio (x): 0.15x.Provides superb clarity and visual accuracy even when shooting at fully open apertures indoors
- Employs in-camera Super SteadyShot image stabilization system to minimize blur from camera
- Circular aperture for low-light shots; 15-foot minimum focus distance; 55mm filter diameter
- Measures 256 inches in diameter and 169 inches long; weighs 8 ounces
Slightly faster than the Sony or Minolta f/1.8, nevertheless that can make an impact when you're working without much light. That obviously comes at an increased expense.
It is still a light and relatively small lens that balances well on the A550 and will fit into almost any camera bag.
A slightly lower priced solution is the Minolta AF 50mm f/1.4. Bear in mind that they can be very difficult to get in good usable condition. It also relies on coupled autofocus, which is slower and louder than lenses that contain built-in motors.
Portrait & Telephoto Lens
- 85mm f1.4 telephoto lens boasts professional performance for portraits and close-ups
- Astonishing sharpness at fully open aperture
- T* coating to reduce flare and increase contrast
- Smooth, visually pleasing background effects
- Focus hold button for full creative control, auto clutch to stop manual focus ring rotation
Sony wanted to show off with this lens. Zeiss produced this lens. The ZA (Zeiss Alpha) denotes that Zeiss created the lens specifically for the Sony A-mount.
This is a spectacular lens. Tack sharp corner-to-corner with vivid colors that produces remarkable portrait photos.
A potential downside is that it is a little on the heavy side because it's built like a tank and the autofocus can feel slow at times. Bear in mind, that you'll run into those same issues with any 85mm f/1.4 lens.
The Rokinon is an inexpensive choice that is easy to get. A lower price comes from the fact that the lens doesn't have autofocus.
Manually focusing at f/1.4 will need practice. Stopping down to f/2.8 or f/2 will make focusing less difficult and you'll still get amazing bokeh.
The lens falls in the middle of the range of prices for the other 2 lenses. Acquiring a used lens in better than acceptable condition may be tough because of a limited supply available.
The lens does have autofocus, but it uses a mechanical coupler and is driven by an in-camera body motor. This means that the lens will be a bit loud and slow to autofocus.
The lens is an older 6 lens element Double-Gauss design. The upside to this is that images possess a distinct look that can not be produced by cutting-edge lenses that are built with far more elements.
Sony A550 Zoom Lenses
If you want to shoot indoor shooting, night events, travel, and family photos, this is the ideal fast zoom for that. The autofocus is fairly quiet and the lens is well designed.
It often gets compared to the excellent Zeiss 24-70mm lens, but it's about 1/2 the weight and less expensive. Both create professional results.
- Compatible with 35 mm Full Frame, or APS-C format A-mount cameras.
- Small size, light weight telephoto zoom lens. Circular Aperture
- 35mm focal length equivelant; 82.5-300mm
- Smooth and silent AF operation with built-in motor (SAM)
- Closest focus distance: 0.95m; Maximum magnification: 0.29x
While still generating terrific results, this is a cheaper alternative. It's not a pro lens, consequently assuming that you do not expect all the bells and whistles, it is a great lens.
For a mid-range telephoto zoom, it has an excellent zoom range for taking pictures of sports, wildlife, and children outdoors.
Photo sharpness is very good and the autofocus is quick. The lens is constructed of plastic, which helps trim down on weight.
- 75-300mm telephoto zoom lens with f/4.5-5.6 maximum aperture for Alpha digital SLR cameras
- Ideal for taking close-up portraits and sports action without making subject nervous
- Gives light sources a pleasing circular defocused effect in the background for better results
- Minimum focusing distance of 4 feet, 11 inches; 7 aperture blades; 55mm filter diameter
- Measures 2.81 inches in diameter and 4.81 inches long; weighs 1 pound, 2 ounces
A super-telephoto lens. It is a fantastic affordable selection for any time you need a long focal length.
The lens is 2.8 inches (7.1 cm) in diameter, 4.8 inches (12.2 cm) long, and weighs 1 pound 2 ounces (510g). While that's not considered light, many professional telephotos are multiple times heavier than that.
For just a little better performance look for the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, but expect to spend just about twice the price.
Wide Angle Lens
- DT lens design for optimum performance
- Maximum Magnification ratio (x): 0.125x.Delivers excellent wide-angle and long telephoto shots
- Mount : Sony A-mount
- Aspherical lens elements for wide-angle accuracy
- ED glass elements for sharp, accurate colors, 35mm Equivalent: 165 to 27mm
Fantastic quality for the money if you want to be able to capture wonderful wide angle photos that standard kit zooms can't take. Distortion, especially of straight vertical lines is very low or non-existent unless you are actively trying to create an exaggerated perspective.
Along with being good at shooting stunning landscapes, it is an excellent lens to travel with. The lens is wide enough so that when you come across something you will be able to get everything you see into the Sony A550's frame.
- 20mm f2.8 wide-angle lens
- Visual accuracy from 10 inches to infinity
- Coated optics for clarity and definition
- Rear focusing system for fast autofocus response
- Circular aperture for defocused effects
It's a well-corrected lens that does an excellent job of minimizing distortion. On top of that, a large amount of work has been done to decrease flare and internal reflections.
The result is a good lens that is well suited for architecture, astrophotography, and landscape photography. The lens uses rear focusing which means the front will not rotate meaning you will not have any troubles using a polarizer or any other filter.
- All metallic moving parts are coated with a special lubricant to improve durability.
- PRO models have a hardened Alumite (Armalite) finish to increase durability and give a top-quality feel and finish.
- Use of our special alloy Duralumin for metal parts provides excellent durability, stabilizes torque and provides better handling. It also maintains smoother operation under all conditions.
- Resistance to flare and ghosting, plus faithful color reproduction are all achieved by a unique coating technique – yet another reason for Tokina’s reputation for incredibly sharp and clean images.
It doesn't have extraordinarily fast autofocus, but the focus clutch means it's an excellent choice for manual focusing. A push or pull of the focus ring switches the lens from AF to MF or vice versa.
The Tokina has a larger aperture compared to the Sony 11-18mm, which will not be a major deal for architecture or landscape photography. Where you'll observe an improvement is during astrophotography. That is a circumstance where you'd want to have the 1-to-2 stop advantage the Tokina offers you.
- 16mm (35mm equivalent) f2.8 fisheye lens provides unique photographic perspective
- Corner-to-corner sharpness
- Crisp focus from about 8 inches to infinity
- 4 built-in filters: Normal, 056, B12, A12
- Quick filter selection with a simple rotating dial
Having built-in filters is a very good inclusion due to the fact the lens has a petal-style hood which means a lens filter can not be attached to the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has everything you could want from a fisheye lens. You can obtain the exaggerated distortion, but the image will be tack sharp from corner-to-corner without vignetting.
The lens contains a rounded front element that means filters can not be used. It has a removable petal-shaped lens hood that you will want to make sure is included if you opt for a pre-owned copy.
Quality can be hit or miss due to the very low price of the lens. The majority of owners are quite pleased with the photos they get. You'll still want to extensively test the lens when you get it to make sure it isn't a dud.
- 100mm macro lens with f/2.8 maximum aperture for Sony Alpha digital SLR cameras
- Works with Super SteadyShot image stabilization system to keep image steady in low light
- Focus range limiter speeds up autofocus response; focus hold button gives you full control
- High contrast and resolution gives your shots greater visual accuracy for close analysis
- Measures 3 inches in diameter and 4 inches long; weighs 1 pound, 2 ounces
An excellent balance of working distance, size, and price for the Sony A550. The autofocus is a bit loud, but for shooting macro pictures, manual focus is the way to go.
For good results at 1x magnification, the lens should be stopped down by two or more stops. Doing that will additionally give you a greater depth of field, which is crucial for macro photography.
- Bright f2.8 aperture for low-light shots
- High-contrast, high-resolution image quality
- Focus Range Limiter for faster auto focusing
- Focus Hold button for full creative control
- 35mm Focal-length equivalant: 75mm
A 50mm lens is not that good for 1:1 magnification due to how little working distance you'll have. At 1x magnification, the front lens element will need to be around 2 inches (5 cm) away from the subject.
This lens is suitable for tabletop, close-up, and copy work. It can be used to get closer to a subject than a 50mm prime, and is perfect for nature photography if you want to fill the frame with a small subject, such as a flower.
The focus ring feels great when manually focusing, and the lens also has autofocus. Stopped down at least a couple of stops and you'll get sharp pictures.
Also, be careful when buying this lens as it's manufactured in several camera mounts.
Used A-Mount Camera Lens Prices
Pricing is constantly changing. Over the previous few years, participation in film photography has been climbing. As there are Minolta 35mm cameras that use A-mount lenses, some upward pressure is placed on the cost of lenses.
The A-mount also does not hold a major market share. As a result, a smaller amount of third party choices exist and the lenses built by Sony are frequently on backorder.
To get the cheapest price on what you want, check prices on a few sites. For used lenses, be prepared to buy when you come across a good deal as they generally will not be available for long.
What Lens Mount Does the A550 Use?
The Sony A550 uses the Sony A-mount. It is also identical to the Minolta A-mount. This is due to Sony buying Konica Minolta's imaging division in 2006.
Minolta engineered the A-mount for the intro of interchangeable lens cameras with autofocus in 1985. It is still Supported by Sony.
Standard Lens Cap Size
55mm, but really the sizes are sporadic. Earlier Minolta lenses have 49mm filter threads.
There are also a good number of lenses that have filter threads much bigger than 55mm. It isn't unusual to see 72mm or 77mm filter threads. It would've been good if Sony made use of only 2 or 3 different filter sizes.