The Sony A55 is a terrific camera. If you don't already own a lens or are wanting for another lens, this will cover the top 6 lenses for the Sony SLT-A55.
Here is a quick list of the best Sony A55 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Below, the best Sony lenses are separated by focal length. Also covered are alternative alternatives spanning a range of prices.
Standard Prime Lenses
The perfect blend of compact size and light weight. The autofocus motor is quieter and more accurate than earlier lenses that use the physically coupled autofocus drive system. This is one of the A55 lenses that can do it all.
A circular aperture allows you to stop down to f/4 and keep an almost circular aperture. The result is gorgeous bokeh and more flexibility in controlling your depth of field.
This is one of the first lenses from the intro of the A-mount. As a consequence of how old the lens is, the autofocus is controlled by the motor built into the A55's body.
Coupled autofocus can be laggy and a little noisy. If that is not a huge concern for you the results are superb. You'll end up getting eye-catching bokeh and a classic look.
Additionally, you get to take advantage of the A55's built-in image stabilization. You don't need to worry about if a lens has stabilization or not.
Another great benefit of this lens is the price. It is noticeably cheaper than the Sony 50mm f/1.8 and also could be the least expensive lens on the list.
A little faster when compared to the Sony f/1.8, nevertheless that can certainly be important when you're working without much light. That naturally comes at an additional expense.
It is still a lightweight and small lens that works comfortably on the A55 and can fit into nearly any kind of camera bag.
A slightly less expensive option is the Minolta AF 50mm f/1.4. Keep in mind that copies can be very hard to find in usable condition. It also was built with physically coupled autofocus, which is slower and noisier than lenses that were designed with built-in motors.
Portrait & Telephoto Lenses
Sony wanted to exhibit what the A-mount is capable of. The lens was produced by Zeiss. The ZA (Zeiss Alpha) denotes that Zeiss designed the lens only for the A-mount.
One of the best A55 lenses available right now. This lens will take full advantage of the camera's sensor and deliver high quality images every photographer wants.
This is a magnificent lens. Tack sharp corner-to-corner with vibrant colors that produces outstanding portraits.
Potential downsides are that the lens is a bit on the heavy side thanks to being built like a tank and it can feel slow to autofocus. Bear in mind, that you will encounter similar problems with any 85mm f/1.4.
The Rokinon is a low-cost possibility that is convenient to get. Cost savings are due to the fact that the lens is manual focus.
At f/1.4 manually focusing will require a bit of practice. Stopping down to f/2 or f/1.8 will make focusing easier and you'll still get beautiful bokeh.
The lens sits in between the price range of the other 2 lenses. Locating a used copy in good usable condition can be tough because of a small available supply.
While the lens has autofocus, it's powered by the in-body motor that uses a mechanical coupler. This makes it relatively loud and sluggish to autofocus.
The lens is an older 6 lens element Double-Gauss design. A benefit to this is that images possess a distinct look that is not able to be created by contemporary lenses that are built with a lot more elements.
There will also be a crop due to this being a full-frame lens. The frame will effectively be the same as a 127.5mm lens on a full-frame sensor.
Standard Zoom Lenses
If you want to shoot night events, travel, indoor shooting, and family photos, this is a great fast zoom for that. It is a well-built lens with quiet autofocus.
It is often compared to the legendary Zeiss 24-70mm lens, but it's approximately 1/2 the weight and less expensive. Both lenses produce pro results.
A cheaper choice that still produces great results. It's not a professional lens, accordingly assuming that you do not need high-end tech, it is a good lens.
As a mid-range telephoto zoom, it has a terrific zoom range for shooting images of children outdoors, sports, and wildlife.
Image sharpness is great and the autofocus is quick. The outer body of the lens is made of plastic, which will help reduce weight.
This qualifies as a borderline super-telephoto lens. It's a very good inexpensive choice for any time you desire a long focal length.
It's only 2.8 inches (7.1 cm) in diameter, 4.8 inches (12.2 cm) long, and weighs 1 pound 2 ounces (510g). While that's not by any means light, many pro telephoto zooms are multiple times that weight.
For a little better overall performance you can look for the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, but plan on spending just about double the price.
Wide Angle Lenses
Excellent quality for the money if you want to be able to take wonderful wide-angle photos that standard kit zooms cannot take. Distortion, especially of straight vertical lines is low or non-existent unless you're purposefully trying to have an exaggerated perspective.
Along with being awesome at taking spectacular landscapes, it is also a great lens to travel with. The lens is wide enough so when you see something you'll be able to get everything you see into the Sony A55's frame.
It is well-corrected and does a very good job of reducing lens distortion. In addition, an enormous amount of work has been done to reduce internal reflections and flare.
The result is a fantastic lens that is suitable for landscape, astrophotography, and architecture photography. The rear focusing system means the front doesn't rotate meaning you will not have any difficulties using a polarizer or different filter.
It doesn't have very fast autofocus, but the MF/AF focus clutch means it is a terrific selection for manual focusing. A pull or push of the focus ring will switch the lens from MF to AF.
The Tokina is faster when compared with the Sony 11-18mm, which isn't a big issue for landscape or architecture images. Where you'll find an improvement is with astrophotography. That's a scenario where you'll want to take advantage of the 1-to-2 stop advantage the Tokina gives you.
Having built-in filters is a good inclusion because the lens has a petal-style hood which prevents a lens filter from being put on the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has almost everything you could desire from a fisheye. You can get the exaggerated distortion, but the image will be tack sharp from corner-to-corner without vignetting.
The lens contains a rounded front which means filters cannot be attached. It comes with a snap-on petal-style hood that you'll want to ensure is included if you get a used copy.
Construction quality can be somewhat hit or miss as a consequence of the low price of the lens. A majority of owners are quite pleased with the results they get. You will nevertheless want to extensively test the lens when you receive it to know for sure that it is not a defective copy.
The perfect balance of price, working distance, and weight for the Sony A55. The autofocus will be rather loud, but for shooting macro photos, manual focus in manual mode is ideal.
For the best results at 1x magnification, the lens should be stopped down and you should use a flash. By stopping down you will get a greater depth of field, and using a flash will help keep the shutter speed fast.
A 50mm is not that good for 1x magnification due to how little working distance you will have. At 1x magnification, the front of the lens will need to be approximately 2 inches (5 cm) away from the subject.
This lens does an excellent job at copy work, close-up, and tabletop photography. It helps you to get closer to a subject than a standard 50mm, and that is ideal for nature photography when you need to fill the frame with a smaller sized subject, for example, a flower.
The focus ring feels great when manually focusing, and the lens also has autofocus. Closed down at least a couple of stops and you'll get razor-sharp images.
Also, be cautious when buying it as it's built for several camera mounts.
Used A-Mount Camera Lens Prices
Prices are constantly changing. During the previous several years, interest in film shooting has been growing. Since there are Minolta 35mm cameras that use A-mount lenses, some additional demand is added to the price of lenses.
The A-mount also does not have a significant share of the market. Due to this fact, there are fewer third party choices and the lenses manufactured by Sony are often on backorder.
To get the least expensive price, check out prices on different sites. For pre-owned lenses, be ready to buy when you find a deal as they usually do not last long.
What Lens Mount Does the A55 Use?
The Sony A55 uses the Sony A-mount. It's also identical to the Minolta A-mount. This is due to Sony buying Konica Minolta's camera division in 2006.
Minolta created the A-mount for the release of interchangeable lens autofocus cameras in 1985. It is still Supported by Sony.
Standard Lens Cap Size
55mm filter threads are the most common, but really the filter sizes are sporadic. Older Minolta lenses tend to have 49mm filter threads.
There are many lenses that have filter threads bigger than 55mm. It isn't uncommon to see 77mm to 72mm. It would have been good if Sony made use of only 2 or 3 different filter thread sizes.