The Sony A350 is a very good Single Lens Translucent camera. If you do not currently own a lens or are searching for a new lens, this page will go over the best 6 lenses to have for your Sony DSLR-A350.
Here are the best Sony A350 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Beneath, the best Sony lenses are divided by focal length. There are alternative selections covering a variety of prices.
A really good combo of lightweight and very small size. Quiet and fast autofocus is delivered by a built-in motor.
Rounded aperture blades allow you to stop down to f/4 and keep an almost circular aperture. This results in gorgeous bokeh and more versatility in managing the depth of field.
This is an older design from the intro of the A-mount for autofocus. On account of how old the lens is, the autofocus is driven by the motor built into the A350.
Autofocus that is coupled can be rather noisy and jerky. Then again, if that's not a concern for you the results are amazing. The bokeh is eye-catching and you will end up getting a classic look.
Portrait & Telephoto Lens
Sony showed off with this lens. Zeiss produced this lens. The ZA (Zeiss Alpha) signifies that Zeiss developed the lens only for the A-mount.
This is a brilliant lens. Corner-to-corner sharpness with brilliant color that produces outstanding portrait photos.
A potential downside is that it is a little on the heavy side because it is built like a tank and the autofocus can seem slow at times. Be aware, that you'll find similar problems with any f/1.4 85mm.
The Rokinon is a widely available budget alternative. Cost savings are due to the fact that the lens is manual focus.
Manually focusing at f/1.4 will need lots of practice. Closing down the aperture to f/2 or f/2.8 helps make focusing easier and you will still get wonderful bokeh.
In terms of cost, the lens fits between the other 2. Finding a used copy in acceptable condition can be tough due to a limited supply available.
The lens does have autofocus, but it uses a mechanical coupler and is driven by an in-camera body motor. This makes the lens sluggish to autofocus and fairly loud.
The lens is an older 6 lens element Double-Gauss design. That is not a negative as the lens has a unique appearance that can not be produced using a modern lens.
Sony A350 Zoom Lenses
A fast zoom lens that is good for indoor shooting, travel, family photos, and night events. The autofocus is fairly quiet and the lens is well made.
The lens is often compared to the excellent Zeiss 24-70mm lens, but it is close to 1/2 the weight and costs less. Both create pro images.
A lower-cost selection that still produces amazing results. Even though it is not a professional lens, therefore assuming that you do not require high-end technology, it is an excellent lens.
As a mid-range telephoto zoom, it has a great range for capturing photos of sports, children outdoors, and wildlife.
Picture sharpness is very good and the autofocus is snappy. It's built out of plastic, which aids in eliminating weight.
This qualifies as a borderline super-telephoto lens due to the zoom range. It's an excellent inexpensive alternative for any time you desire lots of reach.
It is 4.8 inches (12.2 cm) long, 2.8 inches (7.1 cm) in diameter, and weighs in at 1 pound 2 ounces (510g). While not light, many pro telephoto zooms are many times heavier.
For a little improved functionality, you can look for the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, however, count on paying around double the price.
Wide Angle Lens
Excellent value for the money if you want to be able to capture great wide images that a standard zoom cannot capture. Distortion, especially of vertical lines is small or non-existent unless you're intentionally trying to get a distorted perspective.
In addition to being outstanding at capturing beautiful landscapes, it's also a fantastic lens to travel with. The lens is wide enough so when you come across something you will be able to get everything in frame.
It is well-engineered and does a good job of minimizing distortion. Furthermore, a tremendous amount of effort has been done to reduce flare and internal reflections.
The result is a good lens that is well suited for architecture, landscape, and astrophotography. The lens has a rear focusing system which means the front element does not rotate so you won't have any troubles using a circular polarizer or any other filter.
It doesn't have very fast autofocus, but the focus clutch means it is a very good pick for manual focusing. A pull or push of the focus ring will switch the lens from AF to MF or vice versa.
The Tokina is faster compared to the Sony 11-18mm, which will not be a huge deal for landscape or architecture images. Where you will notice something different is during astrophotography. That is a scenario where you'd want to take advantage of the 1-to-2 stop advantage the Tokina offers you.
The built-in filters are an amazing inclusion because the lens has a petal-style hood which means a lens filter cannot be put on the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has nearly everything you could require from a fisheye lens. You can take advantage of the exaggerated distortion, but the image will be sharp from corner-to-corner without vignetting.
The lens contains a round front element that means lens filters can not be used. It comes with a removable petal-shaped hood that you will want to ensure that it is included if you buy a used lens.
Build quality is often somewhat hit or miss because of the very affordable price of the lens. A majority of people are really pleased with the pictures they get. You will nevertheless want to fully test the lens when you obtain it to know for sure that the lens is not a defective copy.
A perfect balance of weight, working distance, and price for the Sony A350. The autofocus can be a bit noisy, but for b taking macro images, manual focus is the way to go.
For the highest quality output at 1:1 magnification, the lens needs to be stopped down. Doing that will also give you a larger depth of field, which is important for macro.
The 50mm focal length isn't that great for 1:1 magnification on account of how small the working distance will be. At that level of magnification, the front of the lens will end up being approximately 2 inches (5 cm) away from the subject.
This lens excels at copy work, close-up, and tabletop photography. It makes it easy to get closer to a subject than a standard 50mm lens, which is ideal for nature photography whenever you want to fill the frame with a small subject, such as a flower.
The focus ring feels great when manually focusing, and it also has autofocus. Closed down a couple of stops and you will get sharp pictures.
Furthermore, be mindful when shopping for this lens as it is produced in various lens mounts.
Used A-Mount Camera Lens Prices
Pricing is constantly in flux. Over the previous few years, interest in film photography has been going up. Due to the fact that there are Minolta 35mm film cameras that use the A-mount, some upward pressure is put on the price of lenses.
The A-mount also doesn't have a huge share of the market. Consequently, fewer third party choices exist and the lenses built by Sony are very often on backorder.
To get the lowest price on what you want, check prices on several sites. For used lenses, be prepared to make a purchase when you find a deal as they do not be available for long.
What Lens Mount Does the A350 Use?
The Sony A350 uses the Sony A-mount. It's also identical to the Minolta A-mount. This is due to the fact that Sony acquired Konica Minolta's camera division in 2006.
The A-mount was developed by Minolta for the intro of interchangeable lens autofocus cameras in 1985. It's still supported to this day.
Standard Lens Cap Size
55mm filter threads are the most common, but honestly, the sizes are sporadic. Older Minolta lenses mostly feature 49mm filter threads.
You can also find quite a few lenses that have larger filter threads than 55mm. It isn't uncommon to see 77m or 72mm filter threads. It would've been good if Sony stuck to only 2 or 3 different filter sizes.