The Sony A35 is a very good camera. If you do not already own a lens for your camera or are wanting for a new lens, this article will talk about the top 6 lenses to use with the Sony SLT-A35.
Here are the best Sony A35 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Below are the best Sony lenses divided by type of photography. There are more choices spanning a variety of prices.
An extremely good blend of minimal weight and compact size. Quiet and accurate autofocus is provided by a built-in autofocus motor.
The circular aperture allows you to close down by 2-stops and still have an almost circular aperture. This creates attractive bokeh and greater versatility in controlling your depth of field.
This is one of the first lenses from the intro of the A-mount for autofocus. Because of how old the lens is, the autofocus is driven by the built-in motor in the A35.
Autofocus that is physically coupled can be noisy and jerky. However, if that's not an issue for you the results are wonderful. The bokeh is attractive and you will end up with a classic look.
Portrait & Telephoto Lens
Sony sought to exhibit what the A-mount is capable of doing with this lens. Zeiss built the lens. The ZA (Zeiss Alpha) denotes that Zeiss designed the lens exclusively for the Sony A-mount.
This is a brilliant lens. Sharp corner-to-corner with spectacular colors that delivers remarkable portraits.
A potential downside is that it's a tad on the heavy side due to being built like a tank and it can feel slow to autofocus. Be aware, that you'll encounter similar problems with any f/1.4 85mm.
The Rokinon is a very easily found low-cost possibility. Cost savings come from the fact that it is a manual focus lens.
Manually focusing at f/1.4 will require practice. Stopping down to f/2.8 or f/2 makes focusing much easier and you'll still get amazing bokeh.
The lens sits in between the price range of the other two lenses. Locating a used lens in better than acceptable condition could be difficult as a result of a limited supply available.
Despite the fact that the lens does have autofocus, it's powered by the in-camera body motor that works by using a mechanical coupler. This makes it relatively noisy and slow to autofocus.
A Double-Gauss design is older and only contains six elements. That is not a bad thing as the lens provides a distinctive look that is not able to be made using a modern-day lens.
Sony A35 Zoom Lenses
If you want to shoot indoor shooting, night events, travel, and family photos, this is an ideal fast zoom for that. It is a well-made lens with fairly quiet autofocus.
The lens is often compared to the excellent Zeiss 24-70mm lens, but it is about 1/2 the weight and costs considerably less. Both produce professional photos.
While still generating wonderful results, this is a cheaper alternative. Even though it is not a pro lens, consequently so long as you do not need high-end technology, it is a very good lens.
As a mid-range telephoto zoom, it has a terrific range for taking photos of children outdoors, sports, and wildlife.
The autofocus is quick and it creates razor-sharp photos. The barrel of the lens is plastic, which will help cut down on weight.
This meets the criteria of a borderline super-telephoto lens due to the large zoom range. It is a good budget choice for when you desire a long lens.
The lens is only 2.8 inches (7.1 cm) in diameter, 4.8 inches (12.2 cm) long, and is 1 pound 2 ounces (510g). While that is not lightweight, many pro telephotos are multiple times heavier than that.
For a little better capabilities try to find the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, but count on paying around twice as much.
Wide Angle Lens
Incredible quality for the money if you want to capture beautiful wide pictures that a standard kit zoom cannot get. Distortion, especially of straight vertical lines is minimal or non-existent unless you are actively trying to have an exaggerated perspective.
As well as being awesome at capturing stunning landscapes, it's also an excellent lens to travel with. The lens is wide enough so that when you come across something you'll be able to get everything in the frame.
It's well-engineered and does an amazing job of reducing distortion. Additionally, a large amount of effort has been put into decreasing flare and internal reflections.
The result is an awesome lens that is suitable for architecture, landscape, and astrophotography. The lens uses rear focusing which means the front element will not rotate so you will not have any troubles using a circular polarizer or different filter.
It doesn't have incredibly fast autofocus, but the MF/AF focus clutch means it's a good option for manual focusing. A pull or push of the focus ring will switch the lens from MF to AF.
The Tokina has a larger aperture when compared with the Sony 11-18mm, which isn't a huge deal for architecture or landscape images. Where you'll see something different is during astrophotography. That's a situation where you will want to take advantage of the 1-to-2 stop advantage the Tokina gives you.
Having built-in filters is a good addition because the lens has a petal-style hood which means a lens filter cannot be attached to the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has almost everything you could need from a fisheye lens. You can take advantage of the exaggerated distortion, but the image will remain razor-sharp from corner-to-corner without vignetting.
The lens contains a spherical front that means lens filters can not be used. It comes with a removable petal-type lens hood that you will want to confirm that it is included if you purchase a used lens.
Construction quality is often hit or miss on account of the very affordable price of the lens. A majority of buyers are quite happy with the results they get. You'll nevertheless want to thoroughly test the lens when you obtain it to know for sure that it is not a defective copy.
An excellent balance of working distance, price, and size for the Sony A35. The autofocus is rather loud, but for b taking macro images, manual focus is easier than using AF.
For good results at 1:1 magnification, the lens should be stopped down. By stopping down you will get a wider depth of field, which is very important for macro.
A 50mm lens is not that good for 1x magnification due to the minimal working distance. At 1x magnification, the front of the lens will have to be about 2 inches (5 cm) away from the subject.
This lens does well at close-up, tabletop, and copy work. It helps you to get closer to a subject than a 50mm prime, which is ideal for nature photography whenever you need to fill the frame with a small subject, such as a flower.
The focus ring feels great when manually focusing, and the lens also has autofocus. Stopped down two or more stops and you will get tack sharp pictures.
Furthermore, be cautious when purchasing this lens as it's built-in a few camera lens mounts.
Used A-Mount Camera Lens Prices
Pricing is constantly changing. Over the past several years, interest in film shooting has been soaring. Seeing as there are 35mm Minolta film cameras that use A-mount lenses, some upward pressure is added to the cost of lenses.
The A-mount also doesn't have a huge share of the market. Consequently, there are a smaller amount of third party options available and the lenses made by Sony are all too often on backorder.
To find the least expensive price on what you want, check multiple websites. For pre-owned lenses, be prepared to pay for when you come across a deal as they generally won't last very long.
What Lens Mount Does the A35 Use?
The Sony A35 uses the Sony A-mount. It is also identical to the Minolta A-mount. This is due to Sony buying Konica Minolta's imaging division in 2006.
Minolta designed the A-mount for the intro of interchangeable lens autofocus cameras in 1985. It's still Supported by Sony.
Standard Lens Cap Size
Generally 55mm, but in reality, the filter sizes are all over the place. Previous Minolta lenses tend to have 49mm filter threads.
You can also find several lenses that have filter threads much bigger than 55mm. It is not unusual to see 72mm or 77mm. It would have been good if Sony lenses needed only 2 or 3 different filter sizes.