The Sony A330 is an excellent Single Lens Translucent camera. If you do not currently have a lens or are searching for a different lens, this page will talk about the top 6 lenses for the Sony DSLR-A330.
Here are the best Sony A330 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Below are the best Sony lenses separated by focal length. There are different alternatives spanning a variety of costs.
A terrific blend of lightweight and compact size. The autofocus motor is faster and quieter than earlier lenses that rely on the physically coupled autofocus.
A circular aperture allows you to stop down by 2-stops and keep an almost circular aperture. This results in spectacular bokeh and greater versatility in managing the depth of field.
This model was initially released by Minolta together with the launch of the A-mount. As a consequence of the age of the lens, the autofocus is powered by the motor built into the A330's body.
Autofocus that is mechanically coupled can be noticeably noisy and slow. Then again, if that's not a concern for you the picture quality is amazing. You will get pleasing bokeh and a classic image rendering.
One more considerable advantage of the lens is the price. It is considerably less expensive compared to the Sony 50mm f/1.8 and also could be the lowest priced lens listed.
A little bit faster when compared to the Sony or Minolta f/1.8, but that can definitely make an impact when you are taking pictures without much light. That not surprisingly comes at an additional expense.
It is still a small and lightweight lens that works well on the A330 and can fit into practically any kind of camera bag.
A slightly lower priced solution is the Minolta AF 50mm f/1.4. Bear in mind that copies can be quite challenging to get in usable condition. It also uses coupled autofocus, which is noisier and slower than lenses that contain built-in motors.
Portrait & Telephoto Lens
Sony wanted to exhibit what the A-mount is able to do. Zeiss built this lens. The ZA (Zeiss Alpha) means that Zeiss designed the lens only for the Sony A-mount.
This is an awesome lens. Razor-sharp corner-to-corner with brilliant colors that produces remarkable portrait photos.
Potential downsides are that the lens is a bit heavy due to being built like a tank and the autofocus can feel slow at times. Bear in mind, that you'll run into similar problems with any 85mm f/1.4 lens.
The Rokinon is a budget possibility that is convenient to find. A lower price is due to the fact that the lens doesn't have autofocus.
At f/1.4 manually focusing will need lots of practice. Closing down the aperture to f/1.8 or f/2 can make focusing much easier and you will still get beautiful bokeh.
The lens sits in between the range of prices for the other 2 lenses. Getting a used lens in usable condition can at times be hard because of a limited supply available.
Although the lens has autofocus, it's driven by the in-camera body motor that uses a mechanical coupler. This makes the lens relatively loud and slow.
The lens is an older 6 lens element Double-Gauss design. An upside to this is that images possess a distinct look that is unable to be produced by contemporary lenses that contain a lot more elements.
Sony A330 Zoom Lenses
A fast zoom lens that is well suited for night events, indoor shooting, travel, and family photos. It’s a well-constructed lens with quiet autofocus.
It is often compared to the legendary Zeiss 24-70mm, but it is approximately half the weight and has a lower price. Both produce professional results.
A lower-cost choice that can still produce amazing results. Even though it is not a pro lens, so so long as you don't expect high-end tech, it is a very good lens.
For a mid-range telephoto zoom, it gives you a very good zoom range for getting pictures of sports, children outdoors, and wildlife.
Picture sharpness is great and the autofocus is fast. The body of the lens is made of plastic, which helps minimize weight.
This meets the criteria of a borderline super-telephoto lens. It's an outstanding budget selection for when you desire a long lens.
The lens is only 2.8 inches (7.1 cm) in diameter, 4.8 inches (12.2 cm) long, and weighs 1 pound 2 ounces (510g). While that's not by any means light, many professional telephoto zooms are many times heavier than that.
For a little better functionality try to find the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, however, assume you'll have to spend just about twice as much.
Wide Angle Lens
Impressive value for the money if you want to shoot great wide angle shots that a standard kit zoom cannot take. Distortion, especially of vertical lines is small or non-apparent unless you are purposefully trying to create a distorted perspective.
Along with being awesome at shooting stunning landscapes, it is an outstanding lens to travel with. The angle of view is wide enough so when you come across something you will be able to get everything you see into the Sony A330's frame.
It is a well-engineered lens that does an excellent job of minimizing lens distortion. On top of that, a large amount of work has been done to minimize flare and internal reflections.
The result is an impressive lens that is perfect for astrophotography, architecture, and landscape photography. The rear focusing system means the front element doesn't rotate so you won't have any difficulties using a polarizer or different filter.
It does not have incredibly fast autofocus, but the manual/auto focus clutch makes it a terrific option for manual focusing. A push or pull of the focus ring switches the lens from manual to auto focus.
The Tokina has a larger aperture compared to the Sony 11-18mm, which is not a huge issue for architecture or landscape photography. Where you'll notice a difference is during astrophotography. That's a circumstance where you will want to have the 1-2 stop advantage the Tokina gives you.
Having built-in filters is a very good addition due to the fact the lens has a fixed petal-style hood which means a lens filter can not be put on the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has almost everything you could need from a fisheye. You will obtain corner-to-corner sharpness without seeing vignetting while still taking advantage of exaggerated distortion.
The lens has a large front which means filters can not be used. It comes with a detachable petal-type lens hood that you'll want to ensure that it is included if you get a used copy.
Build quality is often hit or miss on account of the very affordable price of the lens. A majority of people are quite happy with the results they get. It is still important to fully check out the lens when you get it to be certain that it is not substandard.
A great balance of working distance, size, and value for the Sony A330. The autofocus can be rather loud, but for taking macro images, manual focus is better.
For ideal photos at 1:1 magnification, the lens ought to be stopped down by at least a couple of stops. By stopping down you will have a wider depth of field, which is very important for macro.
The 50mm focal length is not the best for 1:1 magnification due to how little working distance you will have. At 1:1 magnification, the front lens element will be approximately 2 inches (5 cm) far from the subject.
This lens is a great choice for close-up, tabletop, and copy work. It gives you the option to get closer to a subject than a 50mm prime, which is perfect for nature photography when you want to fill the camera frame with a smaller sized subject, such as a flower.
The focus ring feels great when manually focusing, and it also has autofocus. Stopped down at least a couple of stops and you'll get sharp shots.
Furthermore, be careful when getting it as it's produced in a variety of camera mounts.
Used A-Mount Camera Lens Prices
Pricing is constantly in flux. Over the past couple of years, interest in film shooting has been climbing. Since there are 35mm Minolta cameras that use A-mount lenses, some additional demand is placed on the price of lenses.
The Sony A-mount also doesn't hold a major market share. Due to this fact, fewer third party choices are available and the lenses made by Sony are quite often on backorder.
To obtain the best price, look at prices on multiple sites. For used lenses, be ready to pay for when you see a great deal as they tend not to be available for long.
What Lens Mount Does the A330 Use?
The Sony A330 uses the Sony A-mount. It is also identical to the Minolta A-mount. This is because Sony bought Konica Minolta's imaging division in 2006.
The A-mount was created by Minolta for the release of interchangeable lens cameras with autofocus in 1985. It is still Supported by Sony.
Standard Lens Cap Size
55mm filter threads are the most common, but in reality, the sizes vary widely. Earlier Minolta lenses have 49mm filter threads.
You will also find a number of lenses that have filter threads much bigger than 55mm. It's not uncommon to see 77m or 72mm filter threads. It would've been nice if Sony lenses needed only 2 or 3 different filter thread sizes.