The Sony A300 is a terrific camera. If you do not currently have a lens or are shopping for a new lens, this article will talk about the best 6 lenses to use on your Sony DSLR-A300.
Here is the list of the best Sony A300 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Below are the best Sony lenses broken down based on the type of photography. There are additional options ranging in price.
The perfect combination of very compact size and light weight. Smooth and quiet autofocus is delivered from a built-in motor.
Rounded aperture blades allow you to stop down by 2-stops and still have close to a circular aperture. This provides spectacular bokeh and greater freedom in controlling your depth of field.
This model was originally released by Minolta together with the intro of the A-mount. On account of the age of the lens, the autofocus is powered by a motor built into the A300 camera body.
Autofocus that is physically coupled can be sluggish and a bit noisy. Then again, if that is not a concern for you the results are wonderful. You'll end up getting pleasing bokeh and a classic image rendering.
An additional great advantage of this lens is the cost. It is considerably less expensive than the Sony 50mm f/1.8 and on top of that might possibly be the cheapest lens on the list.
Slightly faster when compared to the Sony or Minolta f/1.8, yet that can definitely make a difference when you are taking pictures without much light. That of course comes at an increased expense.
It is still a light and relatively small lens that fits nicely on the A300 and fits into just about every camera bag.
A potentially cheaper solution is the Minolta AF 50mm f/1.4. Take into account that they can be really difficult to get a hold of in usable condition. It also was designed with physically coupled autofocus, which is slower and noisier than lenses featuring built-in motors.
Portrait & Telephoto Lens
Sony wanted to show off what the A-mount is capable of doing. Zeiss manufactured this lens. The ZA (Zeiss Alpha) denotes that Zeiss developed the lens specifically for the A-mount.
This lens is outstanding. Razor-sharp corner-to-corner with stunning colors that create extraordinary portrait photos.
A potential downside is that the lens is somewhat heavy thanks to being built like a tank and it can feel slow to autofocus. Keep in mind, that you'll find similar problems with any 85mm f/1.4 lens.
The Rokinon is a low-cost possibility that is easy to find. Cost savings come from the fact that the lens is manual focus.
Manually focusing at f/1.4 will take some practice. Stopping down to f/2 or f/1.8 helps make focusing much easier and you'll still get wonderful bokeh.
The lens falls in the middle of the price range of the other two lenses. Getting a used lens in better than acceptable condition will likely be a challenge on account of a limited supply available.
The lens does have autofocus, but it uses a mechanical coupler and is driven by an in-camera body motor. This means the lens will be relatively noisy and sluggish to autofocus.
A Double-Gauss design is older and only uses a total of 6 lens elements. That is not a negative as the lens provides a unique look that can not be produced using a contemporary lens.
Sony A300 Zoom Lenses
If you want to shoot night events, indoor shooting, travel, and family photos, this is the ideal fast zoom for that. It is a well-designed lens with quiet autofocus.
It often gets compared to the legendary Zeiss 24-70mm, but it is close to 1/2 the weight and costs considerably less. Both lenses create pro results.
While still creating outstanding results, this is a lower-priced choice. It is not a pro lens, therefore so long as you don't need high-end tech, it is an excellent lens.
For a telephoto zoom, it offers a very good zoom range for taking pictures of wildlife, children outdoors, and sports.
The autofocus is snappy and it delivers razor-sharp images. The body of the lens is made of plastic, which helps with cutting down on weight.
This is a borderline super-telephoto lens. It's a terrific inexpensive solution for when you desire a long focal length.
It is only 4.8 inches (12.2 cm) long, 2.8 inches (7.1 cm) in diameter, and weighs 1 pound 2 ounces (510g). While not light by any means, many pro telephoto primes and zooms are many times that weight.
For slightly better overall performance look for the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, but unfortunately, count on having to spend nearly double the price.
Wide Angle Lens
Awesome value for the price if you want to be able to capture great wide angle images that a standard zoom can't capture. Distortion, especially of straight vertical lines is very low or non-apparent unless you're purposefully trying to have an exaggerated perspective.
In addition to being good at taking breathtaking landscapes, it is also an outstanding lens to travel with. The lens is wide enough so when you come across something you'll be able to get everything in the frame.
It is well-engineered and does an amazing job of minimizing distortion. Additionally, a large amount of energy has been done to decrease internal reflections and flare.
The result is an outstanding lens that is appropriate for astrophotography, architecture, and landscape photography. The rear focusing system means the front element does not rotate meaning you won't have any complications using a circular polarizer or different filter.
It doesn't have blazingly fast autofocus, but the focus clutch means it's a superb option for manual focusing. A pull or push of the focus ring switches the lens from MF to AF.
The Tokina is faster compared to the Sony 11-18mm, which is definitely not a large deal for landscape or architecture photography. Where you will notice a difference is with astrophotography. That is a scenario where you would want to take advantage of the 1-2 stop advantage the Tokina gives you.
Having built-in filters is an amazing addition due to the fact the lens has a fixed petal-style hood which means a lens filter can not be mounted to the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has everything you could want from a fisheye lens. You can achieve the exaggerated distortion, but the image will remain tack sharp from corner-to-corner without vignetting.
The lens features a spherical front which means lens filters can not be used. It comes with a removable petal-type lens hood that you'll want to ensure is included if you purchase a used copy.
Build quality can be hit or miss as a consequence of the low price. The majority of owners are very happy with the photos they get. It's still important to fully test the lens when you receive it to know for sure that the lens is not a defective copy.
An excellent balance of working distance, value, and weight for the Sony A300. The autofocus is somewhat loud, but for taking macro images, manual focus is ideal.
For good photos at 1x magnification the lens really needs to be stopped down. Doing that will additionally give you a greater depth of field, which is very important for macro photography.
A 50mm is not that great for 1:1 magnification due to the minimal working distance. At 1:1 magnification, the front lens element will be approximately 2 inches (5 cm) from the subject.
This lens does well at tabletop, close-up, and copy work. It helps you to get closer to a subject than a 50mm prime, and that is ideal for nature photography if you want to fill the camera frame with a tiny subject, such as a flower.
The focus ring feels great when manually focusing, and it also has autofocus. Stopped down at least a couple of stops and you'll get sharp images.
In addition, be careful when buying this lens as it is built for several lens mounts.
Used A-Mount Camera Lens Prices
Prices change regularly. During the past couple of years, interest in film photography has been going up. Since there are Minolta 35mm cameras that use the A-mount, some upward pressure is added to the cost of lenses.
The A-mount also does not hold a large market share. That's why a smaller amount of third party choices can be found and the lenses built by Sony are oftentimes on backorder.
To find the cheapest price on what you want to buy, check out prices on different sites. For used lenses, be ready to pay for when you come across a deal as they generally will not be available for very long.
What Lens Mount Does the A300 Use?
The Sony A300 uses the Sony A-mount. It's also identical to the Minolta A-mount. This is due to Sony purchasing Konica Minolta's imaging division in 2006.
Minolta designed the A-mount for the intro of interchangeable lens autofocus cameras in 1985. It is still Supported by Sony.
Standard Lens Cap Size
Generally 55mm, but really the filter sizes are sporadic. Earlier Minolta lenses generally have 49mm filter threads.
You can also find numerous lenses that have much larger filter threads than 55mm. It is not unusual to see 77mm or 72mm. It would've been good if Sony lenses needed only 2 or 3 different filter sizes.