The Sony A290 is a very good Single Lens Translucent camera. If you do not have a lens for your camera or are shopping for another lens, this page will talk about the best 6 lenses to use with your Sony DSLR-A290.
Here is the list of the best Sony A290 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Below, the top Sony lenses are split up by focal length. There are different options covering a range of prices.
An excellent combo of small size and minimal weight by Sony. Quiet and fast autofocus is delivered by a built-in motor.
A circular aperture allows you to close down to f/4 and keep close to a perfectly circular aperture. This results in gorgeous bokeh and greater versatility in controlling depth of field.
This is an older model from when Minolta originally unveiled the A-mount for autofocus. On account of the age of the lens, the autofocus is controlled by the built-in motor in the A290's camera body.
Physically coupled autofocus can be a bit noisy and sluggish. However, if that is not a problem for you the image quality is excellent. The bokeh is pleasing and you'll end up getting a classic image rendering.
Portrait & Telephoto Lens
Sony showed off with this lens. Zeiss manufactured this lens. The ZA (Zeiss Alpha) signifies that Zeiss developed the lens only for the A-mount.
This lens is amazing. Corner-to-corner sharpness with vivid color that delivers remarkable portraits.
A potential downside is that it's a bit heavy due to being built like a tank and the autofocus can be slow at times. Bear in mind, that you will come across those same issues with any f/1.4 85mm.
The Rokinon is a widely available budget option. A lower price is due to the fact that the lens does not have autofocus.
At f/1.4 manually focusing will take a bit of practice. Closing down the aperture to f/1.8 or f/2 will make focusing faster and easier and you will still get smooth bokeh.
The lens splits the range of prices for the other two lenses. Getting a used lens in usable condition may be challenging due to a limited supply available.
Despite the fact that the lens has autofocus, it is powered by the in-camera body motor that employs a physical coupler. This makes it slow and fairly noisy.
A Double-Gauss optical design is older and uses a total of six lens elements. That's not a negative as the lens renders a unique appearance that cannot be produced with a contemporary lens.
Sony A290 Zoom Lenses
If you want to shoot night events, travel, indoor shooting, and family photos, this is a superb fast zoom for that. It is a well-designed lens with quiet autofocus.
It often gets compared to the excellent Zeiss 24-70mm, but it is approximately half the weight and costs considerably less. Both lenses produce professional results.
A lower-priced solution that can still produce excellent results. It's not a professional lens, therefore as long as you do not require high-end technology, it is a very good lens.
As a mid-range telephoto zoom, it gives you an excellent zoom range for capturing pictures of wildlife, children outdoors, and sports.
Image sharpness is excellent and the autofocus is quick. The lens is constructed out of plastic, which helps with cutting down on weight.
A borderline super-telephoto lens. It's a terrific cheap solution for when you desire a lot of reach.
It is only 4.8 inches (12.2 cm) long, 2.8 inches (7.1 cm) in diameter, and weighs in at 1 pound 2 ounces (510g). While not considered light, many professional telephoto primes and zooms are many times heavier than that.
For slightly improved functionality take a look at the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, however, assume you will have to spend approximately twice as much.
Wide Angle Lens
Excellent quality for the money if you want to capture great wide images that a kit zoom can't take. Distortion, especially of straight vertical lines is very low or non-apparent unless you are intentionally trying to create a distorted perspective.
Along with being very good at shooting gorgeous landscapes, it's a superb lens to travel with. The angle of view is wide enough so that when you see something you'll be able to get everything in the frame.
A well-corrected lens that does a great job of minimizing distortion. On top of that, a great deal of effort has been done to decrease internal reflections and flare.
The result is an excellent lens that is suitable for landscape, astrophotography, and architecture photography. The rear focusing system means the front will not rotate meaning you won't have any troubles using a polarizer or other filter.
It doesn't have blazingly fast autofocus, but the AF/MF focus clutch means it is a terrific selection for manual focusing. A push or pull of the focus ring will switch the lens from manual to auto focus.
The Tokina is faster than the Sony 11-18mm, which will not be a large issue for architecture or landscape photography. Where you'll see a big difference is with astrophotography. That's a scenario where you will want to take advantage of the 1-2 stop advantage the Tokina has.
Having built-in filters is a really good addition because the lens has a petal-style hood which prevents a lens filter from being mounted to the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has almost everything you could want from a fisheye. You can take advantage of the exaggerated distortion, but the image will remain razor-sharp from corner-to-corner without vignetting.
The lens has a rounded front which means lens filters can not be attached. It comes with a removable petal-style lens hood that you will want to ensure is included if you order a pre-owned lens.
Construction quality can be hit or miss as a consequence of the low price of the lens. Almost all people are quite happy with the photos they get. You'll still want to adequately check out the lens when you obtain it to make sure it isn't substandard.
The optimal balance of size, working distance, and value for the Sony A290. The autofocus will be a little noisy, but for shooting macro pictures, manual focus is better.
For the optimal images at 1:1 magnification the lens really needs to be stopped down. Doing that will additionally give you a larger depth of field, which is important for macro photography.
A 50mm isn't that good for 1:1 magnification on account of the limited working distance. At 1x magnification, the front of the lens will end up being approximately 2 inches (5 cm) from the subject.
This lens is ideal for close-up, copy work, and tabletop photography. It allows you to get closer to a subject than a standard 50mm lens and is great for nature photography whenever you want to fill the camera frame with a small subject, like a flower.
The focus ring feels great when manually focusing, and the lens also has autofocus. Stopped down two or more stops and you will get razor-sharp pictures.
Furthermore, be mindful when getting this lens as it's built for various camera mounts.
Used A-Mount Camera Lens Prices
Prices change on a regular basis. Over the past couple of years, interest in film photography has been growing. Due to the fact that there are 35mm Minolta cameras that use A-mount lenses, some additional demand is added to the cost of lenses.
The A-mount also doesn't hold a huge market share. Due to this fact, there are fewer third party options and the lenses built by Sony are routinely on backorder.
To get the least expensive price, look at prices on a few websites. For used lenses, be prepared to buy when you find a good deal as they generally won't last long.
What Lens Mount Does the A290 Use?
The Sony A290 uses the Sony A-mount. It is also identical to the Minolta A-mount. The reason behind this is that Sony bought Konica Minolta's imaging division in 2006.
The A-mount was engineered by Minolta for the introduction of interchangeable lens autofocus cameras in 1985. It's still Supported by Sony.
Standard Lens Cap Size
55mm, but honestly the sizes vary widely. Previous Minolta lenses tend to have 49mm filter threads.
There are a good number of lenses that have filter threads much bigger than 55mm. It isn't uncommon to see 72mm or 77mm. It would've been good if Sony used only 2 or 3 different filter thread sizes.