The Sony A200 is an awesome camera. If you don't have a lens or are shopping for a new lens, this article will go over the top 6 lenses to have for your Sony DSLR-A200.
Here is the list of the best Sony A200 lenses:
- Standard Lens - Sony 50mm f/1.8 SAM DT
- Portrait Lens - Sony 85mm F1.4 ZA CZ
- Zoom Lens - Sony 28-75mm f/2.8
- Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6
- Fisheye Lens - Sony 16mm f/2.8
- Macro Lens - Sony 100mm f/2.8 Macro
Below are the best Sony lenses broken down based on the type of photography. Also mentioned are alternative alternatives varying in price.
A superb blend of small size and light weight. The autofocus motor is quieter and more accurate than older lenses that use the coupled autofocus.
The rounded aperture blades allow you to close down to f/4 and keep an almost circular aperture. This produces stunning bokeh and more freedom in controlling depth of field.
This is an older model from the launch of the A-mount for autofocus. As a consequence of the age of the lens, the autofocus is driven by the built-in motor in the A200.
Autofocus that is physically coupled can be a little noisy and laggy. Having said that, if that is not a major problem for you the quality is great. The bokeh is attractive and you'll get a classic image rendering.
Portrait & Telephoto Lens
Sony sought to showcase what the A-mount is capable of with this lens. Zeiss manufactured the lens. The ZA (Zeiss Alpha) indicates that Zeiss created the lens only for the Sony A-mount.
The lens is amazing. Corner-to-corner sharpness with spectacular color that produces amazing portraits.
A potential downside is that the lens is a little on the heavy side because it is built like a tank and it can seem slow to autofocus at times. Bear in mind, that you'll find those same problems with any 85mm f/1.4.
The Rokinon is a very easily found budget option. A lower price is due to the fact that the lens is manual focus.
Manually focusing at f/1.4 will require practice. Closing down the aperture to f/2 or f/2.8 makes focusing faster and easier and you'll still get beautiful bokeh.
This lens sits in between the price of the other two lenses. Locating a used copy in acceptable condition will be difficult as a result of a small available supply.
The lens does have autofocus, but it uses a mechanical coupler and is driven by an in-camera body motor. This means the lens will be somewhat loud and slow.
A Double-Gauss design is older and only uses a total of six elements. An upside to this is the images possess a distinct look that cannot be produced by cutting-edge lenses that contain far more elements.
Sony A200 Zoom Lenses
A fast zoom lens that is outstanding for night events, indoor shooting, travel, and family photos. The autofocus is fairly quiet and the lens is well constructed.
It is often compared to the legendary Zeiss 24-70mm lens, but it is close to 1/2 the weight and costs considerably less. Both create professional photos.
A more affordable selection that can still produce outstanding results. It is not a pro lens, therefore as long as you do not expect high-end technology, it is an excellent lens.
As a telephoto zoom, it gives you a great range for capturing photos of sports, wildlife, and children outdoors.
The autofocus is fast and it renders razor-sharp photos. The lens is manufactured of plastic, which helps trim down on weight.
A borderline super-telephoto lens. It's a great inexpensive choice for any time you desire a lens with lots of reach.
It is 2.8 inches (7.1 cm) in diameter, 4.8 inches (12.2 cm) long, and is 1 pound 2 ounces (510g). While that is not by any means light, many professional zooms are multiple times that weight.
For a little bit better functionality try to find the Sony 70-300mm f/4.5-5.6 SSM ED G-Series, but expect to pay just about twice as much.
Wide Angle Lens
Impressive quality for the price if you want to capture great wide angle photos that a kit zoom can't take. Distortion, especially of vertical lines is small or non-apparent unless you are trying to have a distorted perspective.
As well as being outstanding at taking stunning landscapes, it's an excellent lens to travel with. The lens is wide enough so when you see something you will be able to get everything in the frame.
A well-engineered lens that does a very good job of reducing distortion. Additionally, a tremendous amount of work has been put into reducing internal reflections and flare.
The result is an excellent lens that is ideal for architecture, astrophotography, and landscape photography. The rear focusing system means the front element isn't going to rotate meaning you won't have any problems using a circular polarizer or different filter.
It doesn't have very fast autofocus, but the manual/auto focus clutch means it's an ideal choice for manual focusing. A pull or push of the focus ring will switch the lens from AF to MF or vice versa.
The Tokina has a larger aperture than the Sony 11-18mm, which is definitely not a major issue for landscape or architecture photography. Where you will find a difference is during astrophotography. That's a circumstance where you are going to want to take advantage of the 1-to-2 stop advantage the Tokina has.
Having built-in filters is an amazing inclusion due to the fact the lens has a petal-style hood which prevents a lens filter from being put on the front of the lens.
- 056 - Accented contrast for black and white photos.
- B12 - Correct color by eliminating red tones.
- A12 - Correct color by eliminating blue tones.
This lens has just about everything you could desire from a fisheye lens. You can obtain the exaggerated distortion, but the image will be razor-sharp from corner-to-corner without vignetting.
The lens features a curved front element which means filters can not be used. It has a removable petal-style hood that you'll want to confirm that it is included if you purchase a used copy.
Quality can be somewhat hit or miss due to the very low price of the lens. The majority of people are very happy with the photos they get. You'll nevertheless want to extensively test the lens when you obtain it to ensure it is not a dud.
A perfect balance of price, size, and working distance for the Sony A200. The autofocus can be rather noisy, but for taking macro images, manual focus is the best.
For the best photos at 1:1 magnification, the lens needs to be stopped down. By stopping down you will have a larger depth of field, which is essential for macro.
A 50mm isn't that useful for 1x magnification on account of how small the working distance will be. At 1x magnification, the front of the lens will have to be approximately 2 inches (5 cm) from the subject.
This lens is best suited for copy work, tabletop, and close-up photography. It can be used to get closer to a subject than a standard 50mm, and that's ideal for nature photography whenever you need to fill the camera frame with a smaller sized subject, for instance, a flower.
In addition to having autofocus, the focus ring feels great when manually focusing. Stopped down two or more stops and you will get tack sharp photos.
Additionally, be mindful when purchasing the lens as it's offered in a variety of camera mounts.
Used A-Mount Camera Lens Prices
Prices change all of the time. During the previous several years, participation in film photography has been increasing. Due to the fact that there are Minolta 35mm film cameras that use A-mount lenses, some additional demand is added to the cost of lenses.
The Sony A-mount also doesn't have a significant share of the market. Due to this fact, there are fewer third party choices and the lenses made by Sony are oftentimes on backorder.
To obtain the cheapest price on what you want, look at a few websites. For used lenses, be ready to make a purchase when you see a bargain as they tend not to be available for very long.
What Lens Mount Does the A200 Use?
The Sony A200 uses the Sony A-mount. It is also the same as the Minolta A-mount. This is due to Sony buying Konica Minolta's camera division in 2006.
Minolta developed the A-mount for the release of interchangeable lens cameras with autofocus in 1985. It is still Supported by Sony.
Standard Lens Cap Size
55mm, but honestly the filter sizes vary widely. Older Minolta lenses generally have 49mm filter threads.
You can also find quite a few lenses that have larger filter threads than 55mm. It is not rare to see 77mm or 72mm. It would've been helpful if Sony used only 2 or 3 different filter thread sizes.