The best film to use in the Canon EOS 650 will be based on your lens, available light, and type of film you want to use.
To eliminate having to haul around a flash and/or tripod, purchase a 35mm film that has an ISO of 400 or higher.
Make sure you have a fast lens if you want to shoot photos in low light, conditions that are often encountered indoors.
Kodak UltraMax 400 - A terrific selection for a diverse range of conditions. Using Kodak UltraMax 400 you should be able to handhold the EOS 650 in lots of circumstances.
Expect photos to look slightly warm with pleasant colors.
Fujifilm Superia X-TRA ISO 400 - Based on where you are in the world, this film could be more widely available. It is an excellent alternative to Kodak emulsions.
Fujifilm photographs appear to have cooler tones with notable blues and greens when compared to Kodak.
Lomography 800 - If you want a color film with an ISO of 800, there are only a small number of options. For film geared towards consumers, Lomography 800 is the only available choice.
The emulsion is for sale in the 120 film format, to be used with medium format cameras.
Kodak Gold 200 - An awesome solution to achieve that mid-1980s through 90s rendering. Use an on-camera flash to get the "classic" look.
To really bring the ideal look out of the film, make sure to over-expose it by 1 or 2-stops. This will give you the striking colors people love Kodak Gold for.
Kodak Portra 400 - Among film shooting enthusiasts online, Portra 400 is by far the most widely used color negative 35mm film. Overexpose the film by 1 or 2-stops to get the overall look the film is well-known for.
There's also ISO 800 and 160 emulsions of Kodak Portra. 8x10 sheets, 4x5 sheets, and rolls of 120 film are also manufactured.
Fujifilm Fujicolor Pro 400H - The Fujifilm film that is most similar to Kodak Portra 400, but with "Fuji colors." Expect stronger blues and greens.
8x10 or 4x5 sheets of film aren't produced, but 120 film is available.
Black and White Film
With reasonable costs and good quite popular to try in the Canon EOS 650.
The main draw for photography students and budget-minded photographers is the low price. Even if you do not put yourself in those groups, it's great to have inexpensive rolls of film around for evaluating recently acquired used gear.
Kentmere 400 - It's produced by the parent company of Ilford, Harmon Technology. This is notable since that makes this the most widely sold B&W film of the 3.
Foma Fomapan 400 Action - It will be much easier to purchase in Europe as the film is made in the Czech Republic by Foma Bohemia.
A suitable film emulsion to choose for your first few attempts at analog photography or home developing. Additionally, a good selection if you're trying out a camera to ensure that it's totally operational.
Ultrafine eXtreme 400 - The best place to get this film is directly from Ultrafine.
They have developer kits for film, so if you process film at home you might have previously had interactions with them.
Ilford HP-5 Plus 400 and Kodak Tri-X 400 are the two most commonly used black & white films. They possess a large amount of attributes that are equivalent that helps make them so well received while keeping different appearances.
Both film emulsions can be pushed 2 stops and produce high-quality photos. A 35mm roll of film can be shot at ISO 400, 800, or 1600, making them remarkably useful.
Ilford HP5 Plus 400 - The most important differences are that HP5 Plus has lower levels of contrast and is cheaper when compared to Tri-X. Minimal amounts of contrast can be an advantage due to the fact that contrast can be adjusted when making a darkroom print or through digital processing.
The film stock has subdued grain and still looks very good when pushed 2-stops.
Kodak Tri-X 400 - This film emulsion has got a more distinctive look. To showcase the old-school grain structure, contrast, and look of the film, it needs to be developed in Kodak D-76.
You're going to clearly see considerably more contrast with this film. That is helpful if that is the style you are after because it results in significantly less work when through digital processing or making a print in the darkroom.
Film emulsions that create a positive image are generally referred to as reversal, slide, or transparency film. That means a lightbox or projector can be used to showcase the pictures.
Colors are not required to be inverted to be seen, in contrast to the more often used negative film stocks.
Slide films have a smaller amount of dynamic range and latitude when compared to negative film and so they are believed to be challenging to work with.
Kodak Ektachrome 100 - The film is known for fine grain and great skin tones. There's no hypersaturation of colors. Ektachrome has a daylight color balance.
Fujifilm Velvia 50 - This is an unbelievably sharp color balanced for daylight transparency film with lots of contrast and saturation, giving photos a beautiful appearance. It has the best resolving power of any available transparency film emulsion.
An ISO 100 emulsion is also available.
Fujifilm Provia 100F - Delivers realistic and vibrant colors with moderate color saturation and contrast. It has a daylight color balance and ultrafine grain.
Foma Fomapan R100 - This is a black and white slide film, marketed by Fomapan as having increased levels of contrast, fine grain, and high resolving power. It's also regarded as an alternative for the discontinued Agfa Scala reversal film.
Consumer vs Professional Film
Professional film stock have a greater dynamic range, are easier to push, and bigger latitude, that is why pro-film costs more.
There's a disparity in businesses that sell it. Consumer film stocks can more often than not still be purchased from big-box stores and pharmacies in anemic amounts. Pro film should really be bought from a specialized photography store or online.
A film's light sensitivity is listed as the ISO.
The less light available to expose an image, the higher the ISO of the film will need to be. Furthermore, be prepared for more noticeable film grain.
It can be tough to handhold the EOS 650 with ISO 100 or slower speed films (ISO 50, ISO 25, etc). They will probably take more time than what you can handhold without causing motion blur unless you're in full sun.
A tripod, a fast lens, and/or a flash can assist you with longer shutter speeds. Using a high-speed ISO 400 or ISO 800 film is likely to make the additional equipment unnecessary.
The ISO is set by the Canon EOS 650 electronically. This is different from previous SLRs that use an ISO dial.
Film latitude is the number of stops a film can be overexposed while keeping satisfactory photographs. Professional film emulsions have a larger latitude paired with a somewhat increased price.
Negative film has more latitude when compared to transparency film. That is a reason why it's thought of as challenging to shoot.
Dynamic range is the range between the darkest and brightest details of a picture that can be recorded. Areas of a photograph that don't fit within this range will be rendered as totally white overexposed highlights or black underexposed shadows.
When working in a wide variety of quickly shifting lighting conditions, film stocks with a bigger dynamic range are a better choice.
- Digital cameras 14+ stops
- Negative film up to 13 stops
- Slide film 6-8 stops
The small dynamic range of reversal film is a second reason why it is considered hard to shoot. The golden hour is the ideal time to shoot reversal film.
35mm film that comes in canisters is used by the Canon EOS 650. In addition, it’s the best-selling film format and in some instances is described as 135 film.
120 or 220 film, used by medium format cameras, is the only other film format you are probably going to come across.
Swapping the film emulsion you are using will transform the look of your pictures. This is an example of the best things about shooting film.
DX Coded Film
All new 35mm film for sale these days has a DX code. This makes it possible for electronically controlled cameras to detect and set the ISO when the film canister is loaded into the camera.
The Canon EOS 650 will set the film ISO automatically. That is because the camera has electronics to read the DX-coding on film canisters.
Canon EOS 650 Resources
Where to Get Film Developed?
You will find a few possible choices for where to develop 35mm film. For a more complete discussion of the possible choices, take a look at my guide on Where to Get Film Developed.
WARNING: Film is no longer processed locally at big box stores and pharmacies. They mail the film off to be processed by a 3rd party. That is why, you won't get your processed negatives back.
- Develop Film at Home
- Use a Local Photography Lab
- Use a Mail Order Photo Lab
- Pharmacy or Big Box Store
Shipping film to a mail-order lab to be processed and scanned is the easiest choice if you are just beginning to use film. If you consistently use film, this might be a disadvantage since it can get expensive.
As long as you're going through a moderate to high-volume of film, there are two activities that can be done to lower your expenses.
Bulk Loading Film
Buying a roll of 100' of film and manually loading it into canisters by hand is considered one of the ideal ways to cut costs.
A 100' bulk roll will fill up roughly 18 canisters of film with 36 exposures. You should expect to save 20-30% based on your selection.
Bear in mind that you are limited to 100-foot rolls of black and white film. This is in part because black & white film is a lot easier and more cost-effective to process yourself.
Home Developing and Scanning
All film can be processed at home. It's an intelligent option to cut costs so that you can use more film with your Canon EOS 650.
Black and white film is by far the least complicated to develop. Developer temperature and development times are both not as important to do correctly with black & white film as temperatures and time are for transparency or color negative.