The best film to use in the Canon EOS-1N will be based on the lens, lighting, and type of film you want to shoot.
To avoid having to carry around a flash and/or tripod, purchase a 35mm film that has an ISO of 400 or higher.
Make sure you have a fast lens if you want to take pictures in low light, conditions that are commonly encountered indoors.
Kodak UltraMax 400 - The film handles a large range of lighting conditions well and is a very good selection for a color 35mm film. Using Kodak UltraMax 400 you should be able to handhold the EOS-1N in just about all scenarios.
The images will have terrific skin tones and is on the warm side.
Fujifilm Superia X-TRA ISO 400 - A different option than Kodak that could have far better availability depending on where you are in the world.
Fujifilm images appear to have cooler tones with an emphasis on blues and greens compared to Kodak.
Lomography 800 - If you want a color 35mm film with an ISO of 800, there are only a few possible choices. For 35mm film emulsions focused on consumers, Lomography 800 is the single available choice.
The emulsion can also be bought in the 120 film format, for use in medium format cameras.
Kodak Gold 200 - A staple film emulsion that was launched in the mid-1980s. The film produces the look and feel of snapshots from the 1980s and 1990s. For the genuine experience have a flash.
Over-expose it by 1 or 2-stops to produce the most popular look the film has to offer. This will produce the attractive colors people love the film for.
Kodak Portra 400 - Among the film enthusiasts online, Portra 400 is without a doubt the most popular color negative 35mm film. Overexpose Portra 400 by 1 or 2-stops to get the color the film is highly regarded for.
Additionally, ISO 800 and 160 emulsions of Portra. 8x10 sheets, 4x5 sheets, and rolls of 120 are also available to buy.
Fujifilm Fujicolor Pro 400H - The Fujifilm equivalent to Kodak Portra 400, but with "Fuji colors." Expect to see stronger blues and greens.
8x10 or 4x5 sheets of film are not manufactured, but 120 film is available.
Black and White Film
With reasonable prices and good quite popular to try in the Canon EOS-1N.
The primary appeal for budget-minded photographers and photography students is the reasonable price. Even if you don't put yourself in those groups, it's great to have low-cost rolls of 35 film available for evaluating recently purchased used cameras.
Kentmere 400 - It is manufactured by the parent company of Ilford, Harmon Technology. This is great considering that makes this the most widely sold film of the three.
Foma Fomapan 400 Action - It's less difficult to acquire in Europe as the film is manufactured out of the Czech Republic by Foma Bohemia.
A good 35mm film to employ for your first few attempts at home developing or film photography. Additionally, a good selection if you're trying out a camera to confirm that it's totally functional.
Ultrafine eXtreme 400 - You can get the lowest price by getting it from Ultrafine.
If you develop color 35mm film at home, you may have done that with developer produced by them.
The two most popular black and white 35mm film stocks are Kodak Tri-X 400 and Ilford HP-5 Plus 400. While they both possess different rendering, they have several capabilities in common that help makes them popular.
You can still get professional images after pushing both films 2-stops. A roll of film can be used at ISO 400, 800, or 1600, making them quite flexible.
Ilford HP5 Plus 400 - Between the two film emulsions, HP5 Plus is more affordable and has lower levels of contrast. Minimal amounts of contrast can be good due to the fact that contrast can be changed when making a print in the darkroom or through digital post-processing.
The film emulsion still appears outstanding when pushed 2-stops. It is also recognized for having a subtle grain.
Kodak Tri-X 400 - This film provides a more distinctive aesthetic. To achieve the legendary grain structure, contrast, and look of the film, it needs to be developed in Kodak D-76.
You're going to certainly notice far more contrast with Tri-X 400. That is very good if that is the overall look you will want because it involves a smaller amount of work when printmaking or editing digitally.
Film emulsions that make a positive image are typically referred to as slide, transparency, or reversal film. That means a lightbox or projector can be used to display the slides.
This is different from the more common negative film emulsions that create photos that need inverting the colors in order to be viewed.
Slide films are viewed as tough to work with due to the fact slide film has less latitude and dynamic range when compared with negative film.
Kodak Ektachrome 100 - The film is known for terrific skin tones and fine grain. There is no hypersaturation of colors. The film has been color balanced for daylight.
Fujifilm Velvia 50 - Offers special looking shots that have high amounts of contrast and saturation. It is sharp with a daylight color balance. Compared to all the transparency films available for purchase, it has the greatest resolving power.
An ISO 100 speed is also available.
Fujifilm Provia 100F - Offers vivid and realistic colors with moderate contrast and color saturation. It's an ultra-fine grain film balanced for daylight.
Foma Fomapan R100 - This is a black & white slide film, claimed by Fomapan as having very good resolving power, fine grain, and higher levels of contrast. It is also billed as an alternative for the long-discontinued Agfa Scala Film Stock.
Consumer vs Professional Film
Pro film stock have better dynamic range, latitude, and are easier to push, which is why pro-film costs more.
You should expect to see a disparity in availability. Consumer film stocks can frequently be bought from big-box stores and pharmacies in meager amounts. Professional film emulsions should really be ordered from an online or specialized camera store.
A film's sensitivity to light is represented by the ISO.
The less light there's available to get an image, the bigger the ISO will be needed. This comes at the expense of larger film grain.
ISO 100 and slower films (ISO 25, ISO 50, etc) might be challenging to shoot handheld in the EOS-1N. This is due to the fact that without full sun, the exposure times will be longer than what you are able to handhold without causing motion blur.
To get around motion blur you will need to use a tripod, flash, and/or fast lens. Using a fast ISO 800 or ISO 400 film can make the additional accessories not needed.
The ISO is set by the Canon EOS-1N electronically. This is a change from previous cameras that have an ISO knob.
Latitude is the number of stops a film can be overexposed while keeping acceptable images. Pro film emulsions have a greater latitude to go along with a somewhat increased cost.
Negative film has a greater amount of latitude when compared to slide film. That is a reason it's deemed to be more challenging to work with.
The range between the shadows and highlights details of a photograph is described as dynamic range. Parts of a photograph that fall out of this range will be seen as completely white overexposed highlights or totally black underexposed shadows.
When shooting in a wide variety of quickly shifting lighting conditions, films with a larger dynamic range are a superior choice.
- Digital cameras 14+ stops
- Negative film up to 13 stops
- Slide film 6-8 stops
Transparency film is viewed as hard to use due to the constrained dynamic range. The golden hour is the ideal time to use reversal film.
The Canon EOS-1N takes 35mm film that is sold in metal canisters. It can also be referred to as 135 film, and it's the most commonly used film format.
The only other film format you are likely to encounter to see is 120 or 220 film that is used by medium format cameras.
Swapping the film stock you are working with will change the look of your shots. This is an example of the excellent things about shooting film.
DX Coded Film
All commercially available 35mm film sold these days has DX encoding. This lets cameras to automatically detect and set the ISO when the film is loaded.
The ISO on the Canon EOS-1N will be set automatically. That is due to the fact that the camera has electronics to read the DX-coding on film canisters.
Canon EOS-1N Resources
Where to Get Film Developed?
You will find only a few possible choices for where to have 35mm film developed. For a more in-depth explanation of the possible choices, go to my guide on Where to Get Film Developed.
WARNING: Big box stores and pharmacies do not develop film on location. They send the film off-site to be processed by a third party. Because of this, you won't be given your negatives back.
- Develop Film at Home
- Use a Local Photography Lab
- Use a Mail Order Photo Lab
- Pharmacy or Big Box Store
Sending film to a mail-order lab to be developed and scanned is the simplest option if you are just beginning to use film. A drawback to this is that it ends up being expensive if you frequently use film.
Assuming that you're going through a medium to high-volume of film, there are a couple of actions that can be done to limit your expenses.
Bulk Loading Film
Investing in a roll of 100 feet of film and manually loading it into canisters by hand is certainly one of the ideal methods to lower your expenses.
A 100-foot bulk roll will fill up roughly 18 rolls of film containing 36 frames. Expect to see discounts of 20-30% depending on the film you go for.
Be aware that you are only going to find rolls of black and white film. This is due to black & white film is a lot easier and cheaper to process yourself.
Home Developing and Scanning
It is simple to process and scan film yourself. In fact, it's an intelligent option to save money so you can use more film with your Canon EOS-1N.
Black and white film is by far the least difficult to develop. Developer temperature and time are not as necessary to get correct with black & white films as time and temperatures are for transparency or color negative.