The 8 Best Canon Rebel SL3 Lenses
Here is a list of the 8 best lenses for the Canon EOS Rebel SL3. A wide variety of focal lengths for several types of photography are mentioned. In addition to the recommended lenses, each choice will have additional alternatives for higher or lower price ranges.
There are enough possibilities available that every photographer should be able to find something they’d want in their camera bag.
Best Canon Rebel SL3 Lenses:
This is the list of the best lenses to get:
- Best All-Around Zoom: Canon EF-S 17-55mm f/2.8 IS USM
- Best Telephoto Zoom: Sigma 18-300mm f/3.5-6.3 DC OS
- Best Prime Lens: Canon EF 50mm f/1.8 STM
- Best Lens for Video: Canon EF-S 10-18mm f/4.5-5.6 IS STM
- Best Lens for Portraits: Canon EF 85mm f/1.8 USM
- Best Lens for Sports & Wildlife: Tamron SP 150-600mm f/5-6.3 Di VC USD G2
- Best Lens for Landscapes: Canon EF 20mm f/2.8 USM
- Best Lens for Macro: Canon EF-S 60mm f/2.8 Macro USM
Best All-Around Zoom Lenses
Canon EF-S 17-55mm f/2.8 IS USM: The lens was meant for the EF-S mount which is used on cameras that have APS-C sensors. The construction quality is almost like what you would expect from Canon’s full-frame L-series. It is a significant step up from the standard zoom lens included with the EOS Rebel SL3.
The large maximum aperture is continuous through the full zoom range allowing for a shallow depth of field and spectacular background blur. Camera shake is reduced due to the built-in image stabilization.
If you wanted to reduce all of the Canon lenses offered to one to use, this would be the best pick.
Sigma 17-50mm f/2.8 EX DC OS HSM FLD: By having built-in optical image stabilization, tack sharp pictures can be shot at shutter speeds up to 4 stops lower than without using stabilization. With the fast aperture and great zoom range, the lens is appropriate for all kinds of photography from landscapes to portraits.
Judging by the outstanding reviews, people love this lens. It could be your go to choice.
Canon EF-S 15-85mm f/3.5-5.6 IS USM: This has an equivalent zoom in 35mm format of 24-136mm, which makes it a great pick to leave on your camera for general everyday use. It is additionally cited as one of the most popular options for a travel lens.
Best Telephoto Zooms
Sigma 18-300mm f/3.5-6.3 DC OS: This is like having a bunch of zoom lenses packaged together. The 16.6x zoom ratio means all focal ranges from telephoto to wide angle are covered. Built with 17 elements in 13 groups, with four FLD and 1 SLD element, makes it possible to take high-quality, sharp crisp images, without having to be concerned with aberrations.
The huge zoom span will come at the cost of it being somewhat large and heavy. There are many lenses that may be more practical to dedicate a day carrying around in combination with the Canon EOS Rebel SL3.
Canon EF-S 18-200mm f/3.5-5.6 IS: This is a lightweight and portable lens that still includes a large zoom range. With 4 stops of stabilization it’s a solution that gives great performance at a cheap cost. This is an ideal solution to avoid unwanted weight and size.
Canon EF 75-300mm f/4-5.6 III: Lighter weight and smaller sized than the other recommendations above, than can be an important consideration if you would rather not carry around a bulky camera. The focal length is equal to 120-480mm on a Canon APS-C sensor.
It is quite competitively priced, because it doesn’t have built-in stabilization. This is one of the best lenses to use outdoors with lots of light.
Best Prime Lenses
Canon EF 50mm f/1.8 STM: Outstanding picture level of quality in a portable and lightweight package which is one of the very best lenses produced by Canon. The large f/1.8 aperture makes this standard focal length a terrific selection for low light shooting. The lens has a role in every kit and is invaluable for practically all photographers.
Don’t buy the previous version as the motor that powers the focusing system is laggy and noisy. You most likely will not like the outcome of seeking to save a lttle bit of money. This is doubly relevant if you plan to have the ability to capture video.
Canon EF-S 24mm f/2.8 STM: Out of all the options produced for the EF-S mount, this is the thinnest and most compact. A true “pancake” wide angle lens that causes it to be the right solution for travel photography as the overall size is hard to beat. It can take pictures at a minimum of 6 inches (16 cm).
Sigma 35mm F1.4 Art DG HSM: An outstanding creation demonstrating what contemporary optical engineering is able to produce. It captures razor sharp pictures across the entire image, even if shot wide open. The hyper-sonic motor (HSM) provides quiet, accurate, and fast autofocus.
Best Video & Vlogging Lenses
Canon EF-S 10-18mm f/4.5-5.6 IS STM: Among all the Canon lenses, this is the best option for shooting video. The ultra-wide-angle zoom range is ideally suited for creating videos and vlogging. A stepping motor (STM) allows smooth and precise autofocus that does not create any sounds which can ruin audio. Furthermore, it’s light and compact enough to not become burdensome when mounted on the Canon EOS Rebel SL3.
You can get it combined with the Canon 50mm f/1.8 STM in the Canon portrait and travel kit. The kit is an ideal solution if you want to end up with two of Canon’s best lenses, while also saving a bit of money.
Tokina AT-X 116 PRO DX-II 11-16mm f/2.8: The one-touch focus clutch mechanism makes it simple to switch from auto to manual focus without taking your hand off the focusing ring. With a fast f/2.8 aperture this lens will be an effective way to try astrophotography.
Sigma 10-20mm f/3.5 EX DC HSM ELD SLD: Here is another wide-angle zoom that is jam packed with optical engineering. The internal focusing system makes it possible to use a petal-type lens hood that typically does a superior job of preventing flare than a standard hood. Quiet operation is assured by a HSM (hyper sonic motor).
Best Lenses for Portrait Photography
Canon EF 85mm f/1.8 USM: Quite possibly the most popular lens for portrait photography made by Canon. The fast f/1.8 aperture is a good option for shooting in low light and has the ability to create a shallow depth of field, with eye-catching bokeh, to draw attention to the subject of the photo. This should be a requirement for wedding photographers.
Sigma 50mm F1.4 Art DG HSM: A real professional quality lens that definitely is well suited for portrait photography along with street, landscape, and studio work. There’s very little distortion or vignetting and it is especially sharp from corner to corner, even wide open.
Canon EF 100mm f/2 USM: Very close to the Canon 85mm f/1.8, but boasts a marginally longer focal length. Compared to the other two lenses, it is terrific for low-light photography in a small body that’s comfortable to use.
Manufacture of this lens has ended, so finding one in stock could be difficult. You can still find plenty of used copies available. Make sure to check several sites to obtain the lowest price.
Best Lenses for Sports & Wildlife
Tamron SP 150-600mm f/5-6.3 Di VC USD G2: Tamron created a big advancement with the release of this second gen lens. Photo quality has improved throughout the complete zoom range and also having a superior build quality. The AF system uses an ultrasonic silent drive motor that’s amazingly fast and precise. With this mounted on your camera, you’ll find you have no issues getting awesome action or wildlife shots.
Sigma 150-600mm f/5-6.3 Contemporary DG OS HSM: The Sigma offers a portable and light construction considering it is a hyper-telephoto zoom lens. Furthermore the hyper sonic motor and optical stabilization, there is an accelerometer that helps to improve images when panning. As added bonus, there’s often a promotional package that features additional accessories including free shipping if you buy the lens. That’s fantastic seeing as free camera gear is really hard to refuse.
Canon EF 100-400mm F4.5-5.6L IS II USM: There’s no doubt, this lens has much better picture quality than the other two. With that said, quality goes along with a substantial price tag that dwarfs that of the camera. Among the fantastic features this lens has is a rotation-type zoom ring which has adjustable torque settings allowing the lens to be customized to personal liking.
Best Lenses for Landscape Photography
Canon EF 20mm f/2.8 USM: This is a wide angle that remains small and light, weighing just 14.3oz (405g). Even when set to AF there is a manual focus override, which makes it much easier to obtain focus. If you are thinking about taking your Rebel SL3 on hikes, this is a great choice as it is going to fit in almost every camera bag.
Samyang 14mm f/2.8 IF ED UMC: This is a lower cost ultra-wide-angle lens with a built-in petal-type hood. An excellent pick for not just solely landscapes but also for real estate and astrophotography. Pictures can be captured as close as 14 cm (10.8 inches), but the results will have exaggerated distortion effects.
Sigma 20mm f/1.4 DG HSM Art: The widest lens in the Sigma Art series, the 20mm provides a pro build. Constructed with 11 groups having 15 elements with a 5 Special Low Disperson and a Low Dispersion glass element, field curvature, axial chromatic aberration, and spherical aberration are nearly gone.
It is a rather sizeable and heavy hunk of glass. You shouldn’t count on it being well balanced mounted on the camera.
Best Canon Lenses for Macro
Canon EF-S 60mm f/2.8 Macro USM: The first to be produced by Canon for the EF-S mount, it is a actual macro lens, with the capability to achieve 1:1 magnification. It has an internal focusing system, so the front element will not move. You will appreciate the sharp shots created by this lens. It’s an excellent option to use with the EOS Rebel SL3 on account of the value and small size being tough to outdo.
Canon EF 100mm f/2.8L Macro IS USM: A professional L-series lens featuring stabilization and internal focusing. It is weather sealed, and that makes it an ideal option to use out into the field in difficult conditions. Invest in this lens and you’ll not need to go looking for another option.
Tamron AF 90mm f/2.8 Di SP A/M 1:1 Macro: With an excellent working distance and recessed front element, you’ll probably never want to attach the lens hood. Having said that, it does not have an internal focusing system, therefore the lens will extend when focusing on close subjects.
A further possible disadvantage if you desire to use it as a portrait lens is that it does not have integrated optical stabilization. However, if you use flash that will not be an issue.
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