The 7 Best Canon Digital Rebel Lenses

Here are the best lenses for the Canon EOS Rebel Digital Rebel. A wide variety of focal lengths for several kinds of photography are mentioned. Additionally, each section will have additional alternatives for higher or lower prices.

There are plenty of possibilities available that virtually every photographer should be able to find something they’d want in their camera bag.

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  1. Best All-Around Zoom: Canon EF-S 17-55mm f/2.8 IS USM
  2. Best Telephoto Zoom: Sigma 18-300mm f/3.5-6.3 DC OS
  3. Best Prime Lens: Canon EF 50mm f/1.8 STM
  4. Best Lens for Portraits: Canon EF 85mm f/1.8 USM
  5. Best Lens for Sports & Wildlife: Tamron SP 150-600mm f/5-6.3 Di VC USD G2
  6. Best Lens for Landscapes: Canon EF 20mm f/2.8 USM
  7. Best Lens for Macro: Canon EF-S 60mm f/2.8 Macro USM
  • Focal Length: Roughly between 40mm and 60mm, with 50mm being the most common.
  • Characteristics: Provides a field of view similar to the naked eye, resulting in a natural-looking scene without distortion.
  • Uses:
    • Portraits
    • Street Photography
    • Indoor Photography
    • Landscape Photography
  • Focal Length: Above 60mm. Mid-range telephoto is around 70mm to 200mm, while super-telephoto is over 200mm.
  • Characteristics: Magnifies subjects, allowing for capturing distant subjects.
  • Uses:
    • Portrait Photography (especially mid-range telephoto)
    • Wildlife Photography
    • Sports Photography
    • Astronomy
  • Focal Length: Below 40mm. Lenses with a focal length less than 20mm are generally referred to as fisheye lenses.
  • Characteristics: Captures a wider field of view, but may introduce distortion.
  • Uses:
    • Landscapes
    • Interiors
    • Large Group Photos
    • Street Photography
    • Architecture
  • Characteristics: Designed for close-up photography with a 1:1 ratio, capturing subjects at life-size magnification.
  • Uses:
    • Nature Photography
    • Insect Photography
    • Portrait Photography
    • Detail Photography (e.g., ring shots at weddings)
  • Characteristics: Fixed focal length lenses (e.g., 35mm, 50mm, 85mm). They do not zoom and often provide sharper images and better overall image quality than zoom lenses.
  • Advantages: Can shoot at lower apertures, allowing more light in and creating more background blur.
  • Characteristics: Allows changing through the focal range by turning the barrel. Can be variable or fixed aperture zoom lenses.
  • Advantages: Provides multiple focal lengths in one lens, making them versatile for situations where you need to zoom in or out without changing the lens.
best all-in-one lens for the Canon Rebel Digital Rebel DSLR
Canon EF-S 17-55mm f/2.8 USM

Canon EF-S 17-55mm f/2.8 IS USM: The build quality of this lens is in line with Canon’s full-frame L-series, but it is meant for APS-C sensor cameras that use the EF-S mount. It is a major step up from the zoom bundled with with the EOS Rebel Digital Rebel.

The large maximum aperture is constant through the entire zoom range allowing for a shallow depth of field and beautiful background blur. Built-in image stabilization helps to counter camera shake and increases photo sharpness.

If you had to narrow down all the Canon lenses offered to one to use on your camera, this is going to be the best pick.

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Sigma 17-50mm f/2.8 EX DC OS HSM FLD: With image stabilization, tack sharp photographs can be taken at shutter speeds up to 4 stops lower than without using stabilization. With the fast aperture and good zoom range, the lens is great for all types of photography from portraits to landscapes.

Based on glowing customer reviews, users highly recommend this lens. It could end up being the go to choice for your camera.

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Canon EF-S 15-85mm f/3.5-5.6 IS USM: With an equivalent zoom in full frame format of 24-136mm, it is a great pick for general photography. It is additionally cited as one of the most useful picks for a travel lens.

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Best Telephoto Zoom Lens Rebel Digital Rebel
Sigma 18-300mm f/3.5-6.3 DC OS

Sigma 18-300mm f/3.5-6.3 DC OS: This is similar to having a bunch of zooms packed together. Having a 16.6x zoom ratio means that all focal lengths from wide angle to telephoto are available. Built with 13 groups containing 17 elements, with four FLD and 1 SLD element, means it is possible to take sharp crisp, high-quality photos, without having to be concerned with chromatic aberrations.

The large focal length range will come at the cost of it being rather heavy and large. Other selections that can be more practical to spend all day lugging around with the Canon EOS Rebel Digital Rebel.

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Canon EF-S 18-200mm f/3.5-5.6 IS: Here is a portable and lightweight lens that is still equippedwith a good zoom range. With Four stops of stabilization it is a solution that supplies excellent performance at a budget friendly price. This will probably be the lens to get to avoid unwanted size and weight.

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Canon EF 75-300mm f/4-5.6 III: Lighter weight and smaller sized than the other lenses previously mentioned, than can be a benefit if you would prefer not to transport a hefty camera. The focal length is equal to 120-to-480mm on a Canon APS-C sensor.

It is additionally very affordable, as a result of the lack of image stabilization. This lens works best outside with lots of sunlight.

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Best prime lens for canon eos rebel Digital Rebel
Canon EF 50mm f/1.8 STM

Canon EF 50mm f/1.8 STM: Superb picture quality in a lightweight and portable build that is one of the best lenses built by Canon. A standard focal length that has a fast f/1.8 aperture makes this lens a great option for low light shooting. It has a place in any kit and is invaluable for practically all photographers.

Steer clear of the old version because the focusing motor is slow and noisy. By looking to save a bit of money, you might not care for the result.

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Canon EF-S 24mm f/2.8 STM: The most compact and thinnest lens made for Canon’s EF-S mount. The size can’t be outdone because it is a “pancake” wide angle that makes it an excellent pick for travel photography. It has the ability to capture photos as close as 6 inches (16 cm).

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Sigma 35mm F1.4 Art DG HSM: A superb creation displaying what modern optical engineering is capable of. Shot wide open, images are sharp, from corner to corner. The hyper-sonic motor (HSM) delivers quiet, accurate, and fast autofocus.

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best lenses for portrait photography
Canon EF 85mm f/1.8 USM

Canon EF 85mm f/1.8 USM: Many people would consider this lens the most desired lens for portraits manufactured by Canon. The large f/1.8 aperture is a great choice for shooting in low light and can be used to produce a shallow depth of field, with great bokeh, to draw attention to the subject of the photo. For wedding photographers, this is a extremely important lens to get.

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Sigma 50mm F1.4 Art DG HSM: A real pro level lens that’s well suited for portrait photography ın addition to street, landscape, and studio work. Tack sharp from corner to corner wide open with almost no vignetting or distortion.

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Canon EF 100mm f/2 USM: Very close to the Canon 85mm f/1.8, but is built with a marginally longer focal length. Like the other two lenses, it is very good for low-light shooting in a compact package that’s easy to use.

This lens is not currently being manufactured, so obtaining a copy might be tough. Many used copies are still available for purchase. Check a few sites to obtain the most competitive price.

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best lenses for sports and wildlife
Tamron SP 150-600mm f/5-6.3 Di VC USD G2

Tamron SP 150-600mm f/5-6.3 Di VC USD G2: The G2 is the second gen version of the lens and represents a big advancement from Tamron. Image quality level has improved through the entire zoom range and at the same time still having a very good construction quality. Truly accurate and fast autofocus system is driven by an ultrasonic silent drive motor. With this on your camera, you’ll find you have no issues capturing awesome action or wildlife images.

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Sigma 150-600mm f/5-6.3 Contemporary DG OS HSM: The Sigma provides a lightweight and small build considering it is a hyper-telephoto zoom lens. Beyond the optical stabilization and hyper sonic motor, it contains an accelerometer to improve shots when panning. As an additional perk, there is quite often a promotional package that is a bundle of additional accessories as well as free shipping when you order the lens. That’s very good seeing as free camera gear is almost impossible to refuse.

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Canon EF 100-400mm F4.5-5.6L IS II USM: Undoubtedly, the lens has better picture quality than the others. With that in mind, top quality performance is attached to a big cost that is significantly larger than that of the camera. One of the notable features this lens has is a rotation-type zoom ring which has adjustable torque adjustments making it possible to customize the lens to your personal liking.

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best lens for landscape photography
Canon EF 20mm f/2.8 USM

Canon EF 20mm f/2.8 USM: Tipping the scales at only 14.3oz (405g), this lens is a wide focal length that remains lightweight and small. Even when set to autofocus there is a full-time manual focus override, that allows for perfect focus to be accomplished. If you plan on hiking with your Rebel Digital Rebel, this lens is a superb pick as it can fit in practically every camera bag.

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Samyang 14mm f/2.8 IF ED UMC: Here is a lower priced ultra-wide lens with a built-in petal-type hood. An excellent option for not just solely landscape photography but additionally for real estate and astrophotography. Images can be shot as close as 10.8 inches (14 cm), but the results will have very noticeable distortion.

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Sigma 20mm f/1.4 DG HSM Art: With a truly professional build, the 20mm f/1.4 is the widest lens in the Sigma Art series. Designed with 15 elements in 11 groups with a Low Dispersion and 5 Special Low Dispersion elements, spherical aberration, field curvature, and axial chromatic aberration are pretty much gone.

It is a noticeably big and heavy hunk of glass. Do not expect the lens being nicely balanced on the camera.

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best canon rebel Digital Rebel macro lens
Canon EF-S 60mm f/2.8 Macro USM

Canon EF-S 60mm f/2.8 Macro USM: A true macro lens, capable of obtaining 1x magnification, and the first to be manufactured by Canon for the EF-S mount. It has an internal focusing system, meaning the front element won’t move when focusing. You will love the razor sharp shots created by this lens. It is a fantastic option to use with the EOS Rebel Digital Rebel on account of the value and small size being difficult to beat.

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Canon EF 100mm f/2.8L Macro IS USM: A top of the line professional L-series lens with optical stabilization and internal focusing. It is weather sealed, which means it is an excellent option to take out into the field in ough conditions. Invest in this lens and you will not need to go looking for an alternative.

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Tamron AF 90mm f/2.8 Di SP A/M 1:1 Macro: With a recessed front element and a very good working distance, you will most likely never be required to make use of the lens hood. Having said that, it does not have an internal focusing system, as a result the lens will extend when closely focusing on a subject.

An additional possible limitation if you desire to use it as a portrait lens is that there’s no integrated image stabilization. However, if you use flash that won’t be a major problem.

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  • ASC (Air Sphere Coating): Introduced in 2014 with the 100-400mm f/4.5-5.6 L IS II, ASC reduces ghosting and flare in backlit situations. This lettering might not appear on the lenses themselves but will appear on the box or packaging of the lens.

  • BR (Blue Spectrum Refractive): BR signifies a newer type of organic lens element. This element works to reduce chromatic aberration by correcting the blue and purple wavelengths. Currently, the 35mm f/1.4 L II is the only Canon lens with this BR element.

  • SA Control: This term was not mentioned in the provided content.

  • DS (Defocus Smoothing): DS made its first appearance in 2019 on the RF 85mm f/1.2 DS. It is Canon’s version of a lens with a built-in apodization filter – a circular graduated neutral filter located behind the lens elements. It helps to smooth out out-of-focus areas in an image, particularly bokeh balls.

  • IS (Image Stabilization): Canon’s acronym for optical image stabilization. This technology stabilizes a hand-held camera using gyros that counteract minute movements of the camera. By moving some of the lens’ optical elements, this technology counters shakes and provides sharper results when a slower shutter speed is used for a static subject.

  • USM (UltraSonic Motor): An indicator of a lens being equipped with Canon’s top-of-the-line focusing motor. USM is used in most of the latest Canon lenses. This motor allows for powerful, fast, and quiet autofocus and permits full-time manual focus override.

  • Micro USM: A smaller and cheaper version of the USM design meant for low-end lenses and kit zoom lenses. It is noisier than USM and, with the exception of the 50mm f/1.4, does not allow for a manual focus override.

  • DC (Direct Connect): A DC geared motor is a feature of some of the older or more affordable lenses that Canon offers. Lenses with a DC motor tend to be slower to focus and noisier than USM or Micro USM models. They also do not offer a full-time manual focusing feature.

  • STM (Stepper Motor): A motor that allows for a smoother and quieter focus by minimizing the autofocus vibrations and noise during video recording. STM lenses use a focus-by-wire system, meaning the focus ring controls a motor, which then moves the internal lens elements.

  • I, II, III: These roman numeral markings on lenses signify the lens’ generation. They represent the upgraded version or the revision number. For instance, a lens marked III is newer than one marked II.

  • SC & SSC (Spectra Coating & Super Spectra Coating): Acronyms for coatings applied to optical lens elements to increase contrast and decrease flare and reflections. While SC was used for cheaper lenses, SSC was meant for the more expensive ones. As modern lenses are coated with complex multi-coats, SSC is no longer in use.

  • SWC: This term was not mentioned in the provided content.

  • AFD (Arc-From Drive): Canon’s very first autofocus motor technology, which is no longer in use. The lenses were noisier and slower to focus than other lenses and had no manual override.

  • MM (Micro Motor): Developed to create less expensive versions of the AFD motor. It turned out to be the least advanced AF motor in use, being even slower and noisier than the AFD motor. It does not permit full-time manual focus override.

  • KAS S: This term was not mentioned in the provided content.

  • VR: This term was not mentioned in the provided content.

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